LOS ANGELES, MARCH 10, 2025 ― Originally opened in the early 1960s as Moonglow Records, The Sound Factory name was coined by Producer David Hassinger, who purchased the studio in 1969. A little over a decade later, the studio was sold to Sunset Sound Recorders’ owners Paul and Tutti Camarata, who ran the facility until it was sold in 2017. After 60 years of serving the music industry, LA’s Sound Factory boasts a history of working with some of the world’s greatest artists. Among these are Marvin Gaye, the Jackson 5, and Linda Ronstadt in the 60s and 70s; Sheryl Crow and Red Hot Chili Peppers at the turn of the century; Doja Cat, SZA, and Mark Ronson, as well as artists currently working with Sound Factory’s own record label.

In an effort to keep up with the changes in technology and musical styles, the studio’s current leadership sought to upgrade the space while still paying homage to its history. In doing so, they connected with George Augspurger to create new mains for the facility’s two recording studios. The legendary acoustician and speaker designer had previously designed aspects of the Sound Factory during its expansion in the 1970s, and his experience in the studio was a perfect complement to the upgrade. After designing the new custom mains, Augspurger worked in collaboration with Craig Hockenberry, Gibson Director of Product Development, Pro Audio,to have the speakers built. Augspurger’s expansive pro audio knowledge, coupled with Hockenberry’s expertise in designing and building Gibson’s KRK monitors, proved to be ideal for this unique project.

“After they had run the studio for about a year, [the present owners] asked me what would be involved in designing custom monitors for Studio A, the original room,” says Augspurger. “The room itself was one that I had designed, but it [now] had standard commercial monitors in it. So, using the components of the so-called ‘Augspurger monitor,’ we created a design for the room. Then, more recently, they wanted to upgrade the monitors in Studio B. The same design was physically able to be accommodated [in both rooms,] so we went ahead and [designed] the retrofit in Studio B as well.”

While the process was straightforward, designing, creating, and deploying Sound Factory’s new mains was a labor of love that evolved over three years. “The main thing [to consider] in designing a custom monitor is that you have the freedom to make the cabinet dimensions fit the space available,” adds Augspurger, with regards to the unique soffits from the original monitors. “I know how to design speaker cabinets, so that part was easy. The choice of components is done in cooperation with the owner, the people who will be using the speakers. This is the first installation I’ve done with KRK…and all I can tell you is there were absolutely no glitches, no problems. They delivered what I asked for.”

For Gibson/KRK’s role in the project, Hockenberry and his team set to work building the monitors to Augspurger’s specifications. “We worked with George on the monitors from the beginning, which was a real pleasure,” says Hockenberry. “We had the designs worked out by the second call with him, and we built both pairs in our prototype shop here in Nashville. Once we had George’s seal of approval on everything, we coordinated with Sound Factory Studio Manager Cameell Hanna to get the speakers sent to their new home in Hollywood, where George helped oversee the final installation.” 

Like nearly all of Augspurger’s prior speaker designs, the custom pairs of KRK mains at Sound Factory feature a wooden, high-frequency horn. “The actual speaker components, such as the high-frequency drivers and woofers, are standard commercial products,” he explains. “The woofers are made by TAD, the professional products division of Pioneer, which I have used in most of my custom installations for the past 20 years. The high-frequency driver, which is comprised of beryllium, is made in the U.S. by Radian.”

The connection between Augspurger and Gibson/KRK was not one of happenstance. Instead, it was the result of many conversations Hanna had with his friend and colleague Rae Vinton, who leads Entertainment Relations for Gibson LA. “I told Rae about the upgrade and working with George, and she immediately asked if we wanted to do something with KRK,” says Hanna. “We already collaborate a lot together, so I thought it would be perfect.”

For Hockenberry, it was a symbiotic relationship that evolved into an incredible project. “Sound Factory is an amazing space that has produced innumerable legendary hits from countless icons; that, combined with George’s status in the industry, really solidified our decision to move forward with this project,” he says. “KRK represents premium sonic quality, and these custom mains emphasize the capabilities of our engineering team to create solutions that compete with other high-end manufacturers. We are humbled that KRK is now a part of the Sound Factory legacy and the many creative masterpieces that will be coming out of those rooms.”

“The funny thing about this place, for better or worse, I’m still not sure which it is, is that everything here is completely custom, even the general ‘living’ spaces,” explains Hanna. “Every aspect of this place is unique, nothing is a standard size, including the speaker system, so it’s difficult when we want to change something. But we wanted to honor the custom nature of the facility with our upgrades, and working with George, Craig, Rae, and the entire Gibson/KRK team, we’ve been able to accomplish that.”

To watch a video interview with George Augspurger and Cameell Hanna click here.

LOS ANGELES, FEBRUARY 11, 2025 ― Dylan Newman, Manager of Music and Talent at Nickelodeon and Artist Manager at NewManagement, is elevating his artist development strategy and audio production quality with KRK GoAux Portable Monitors and ROKIT 8 Generation Five Studio Monitors. With a rich history in artist discovery, development, and management, Dylan’s hands-on approach to audio finds perfect synergy with the KRK solutions, which are essential tools in his creative process.

Newman’s music journey began early, from self-taught drums and guitar to discovering his passion for music behind the scenes. Starting out as part of Purdue University’s Student Concert Committee, he quickly learned the ins and outs of concert promotion by working with high-profile acts like Luke Bryan and Macklemore. Newman’s exposure to A&R began with an internship at Sony Music, leading to roles at Columbia Records and Epic Records, where he was fortunate enough to contribute to projects for top artists like Travis Scott, Camila Cabello, and Future. “Artist development is in my blood,” says Newman, a value he extends to emerging talents like LOCS and PIAO at NewManagement and acts like Pressley Hosbach and Young Dylan at Nickelodeon’s music department.

Newman was first introduced to KRK by friends at Gibson, who gave him a first-hand look at KRK’s trusted performance in professional studios and artist setups. “When I first saw the GoAuxes, I recognized how the portability and minimal setup requirements made it easy to ensure audio quality from home to office or anywhere on the road,” he says. “They deliver the same natural and balanced frequency response that has become synonymous with the KRK name in a mobile-friendly package. Meanwhile, the ROKIT 8 Generation Five provides the precision and customization I need for mixing and refining audio to professional standards.”

Newman attributes much of his success to the sonic integrity that his KRK speakers provide. “I love my KRKs,” he continues. “They give my artists and me the clarity we need throughout the recording, mixing, and mastering stages. The GoAux speakers are portable yet powerful, fitting seamlessly into my busy schedule. The ROKIT 8 Generation Fives are my go-to for my home studio, allowing me to dig in and ensure top-quality production for my artists. In addition, the black and gold design is a staple in the industry; it’s become synonymous with quality.”

The KRK ROKIT Generation Five monitors are the most advanced in their class. Whether working on a chart-topping hit, a film score, or a personal project, the ROKITs provide the tools needed to capture every nuance of a user’s sound with astonishing clarity. The monitors’ onboard DSP technology provides three distinct Voicing Modes: Mix Mode, Create Mode, and Focus Mode, eliminating the need for separate sets of monitors for different tasks.

Newman’s dedication to sound is evident in his work at Nickelodeon’s music department, where he develops music for the brand’s record label, manages talent releases, and supports major events like the Kids’ Choice Awards. According to Newman, “Whether I’m listening to demos for Nickelodeon or refining LOCS’s latest tracks, KRK ensures that every sound detail is accurately represented. My partnership with KRK and Gibson has been essential in bringing quality audio to all my projects.”

For more updates on Dylan Newman’s latest work and upcoming projects, follow him on social media at @dylannewman_. His commitment to the music industry is not only in advancing his artists but also in inspiring the next generation of talent and future executives through mentorship and collaboration.

MILAN, JANUARY 29, 2025 ― Cult of Magic is an interdisciplinary artistic collective based in Milan, Italy, specializing in creating immersive performances that blend contemporary dance, music, and performance art into a unique, captivating experience. Known for its innovative approach to exploring profound themes through movement, sound, and light, the group often collaborates with prestigious European cultural institutions. 

The group was founded in 2017 by Composer and Director Francesco Sacco, along with Samira Cogliandro and Giada Vailati, who both choreograph and dance for the collective. The three founding members were later joined by Luca Pasquino, who is also a director and composer.

Cult of Magic’s recent project, “FEAR OF THE DARK – first study,” was performed with an immersive light and sound design, with the goal of heightening and enriching guests’ other senses during the show, which took place inside a former church in Venice. To elevate the musical aspect of their performance, the collective relied on KRK GoAux Portable Studio Monitors to ensure that every note and rhythm resonated beautifully.

Directed by Sacco, Vailati, and Pasquino, “FEAR OF THE DARK” was choreographed and performed by Vailati, while Sacco and Pasquino created the original score. “For this project, we needed a completely different audio system because of the natural reverb of the venue,” says Sacco. “We decided to use KRK speakers not just to compose the original score but also as the PA during the show. We used three pairs of GoAux monitors for the performance, which resulted in a punctual sound and avoided the rumble of a classic stereo sound system in a big space.”

With the GoAux, the team created an immersive atmosphere that captivated the audience. “After studying the church layout, we were able to easily integrate the KRK speakers into the space with four positioned towards the audience and two facing the apse,” adds Pasquino. “The GoAux allowed us to achieve a sound that was immersive and airy but also well-defined.”

Sacco and the members of the Cult of Magic collective consider the GoAux to be unique within its genre. The monitors’ design and capabilities resonate with Cult of Magic’s artistic visions, making the speakers a standout choice for the group’s creative endeavors.

“I found the GoAux to be very defined and sharp; the sound quality is impressive for smaller speakers,” says Sacco. “I have never found portable speakers with such a professional sound level. They also have great volume control despite their size, so that helped us to reach the exact result we wanted for the project. The GoAux are also super light and easy to carry around, which is critical when you have to move around in a city like Venice, with no possibility of transporting your gear by car.”  

With Bluetooth capabilities and an impressive array of features, the monitors offer a perfect blend of convenience and performance that make it an ideal choice when the group is on the go. “The Bluetooth connection works perfectly, even when we are using it with low frequencies; the speakers perform well and deliver a rich and full sound,” says Pasquino. “There’s no comparison to other portable Bluetooth speakers I’ve tried, both in terms of sound balance and definition. Moreover, these speakers allow me to mix music anywhere I want.”

Sacco has been a devoted user of KRK products for years, showcasing a deep familiarity and appreciation for the brand’s offerings. “I learned about KRK from other musicians and colleagues in the industry and have been using the gear for a while now,” he shares. “The first pair of monitors I owned were the KRK ROKITs, which I still use in my home studio today.” Pasquino is also well-acquainted with the brand. “KRK speakers were the first monitors I bought for making music productions,” he explains. “Since then, I have developed a very personal sound, partly because of those speakers, and I still have not replaced them.”

Looking ahead, Cult of Magic is eager to resume its creative momentum by integrating KRK gear into future projects. “All the music we compose for any Cult of Magic project is made on KRK monitors. We want to continue experimenting with spatialized sound using a large number of small speakers,” says Sacco.

The group is currently working on an electronic/techno album, using KRK for composing and mixing. The group also plans to incorporate KRK for its future performances and projects, such as the continuation of “FEAR OF THE DARK.” In the next few months, the group will bring the project to a further development phase that will include a cast of five performers, set design work, and a sound installation that will be inaugurated in Milan next May.

The seasoned industry professional creates notable sound for music and TV/film projects

MIAMI, JANUARY 7, 2025 ― GRAMMY- and Latin GRAMMY-winning Producer, Composer, and Mixer Nicolas “Nico” Ramirez has worked with prominent Latin artists such as Bad Bunny, Jennifer Lopez, Shakira, and Marc Anthony, among others. Today, he is the producer, mixing and recording engineer, and live sound engineer for multi-award-winning Artist and Songwriter Camilo, a fellow Colombian. In addition to his credits in the music industry, Ramirez also composes and provides sound design for films, documentaries, TV series, and animated shows.

For Ramirez, music and sound effects have always crisscrossed as a single entity in his creative workflow. His appreciation for the vast array of cultures that span this world and the influence each has on music has continually inspired him to create a unique identity for all his projects. To aid in his mastery, Ramirezrelies on his KRK V4 and V6 V-Series 4 Powered Studio Monitors,which he says, “are very dynamic and rich in sound, so I can always get the right vibe of the track.”  

As someone who focuses on sonic quality, it is critical that Ramirez has a realistic-sounding pair of speakers. “During the mixing process, I need speakers that sound good, and are easy and quick to use,” he explains. “My V6s are not too bright, and they aren’t too low; they work well and sound great. The V4s have a smaller diaphragm that translates well to a variety of listening scenarios, so I can assess how my tracks will sound in any other environment. Whether my songs are being played in a theater, through consumer-grade headphones, at an airport, or in the car, I know what I’m hearing on the V-Series will be what audiences experience as well.”

For times when Ramirez has been on the road running front of house for Camilo, his KRK V-Series monitors serve a dual purpose as nearfield speakers. “The monitors are vibrant and tend to have solid sound quality in loud situations, which is important for a concert tour,” he adds.

Never one to stray too far from his producer role, Ramirez uses KRK GoAux Portable Powered Studio Monitors for studio work on the go. “I travel a lot when I am on tour, and I like to have a solution that is easy to set up on the road,” he explains. “The KRK GoAux sound great, and the carrying case they come in is amazing. I never have to worry about where I am going to store all the pieces.” Whether in the studio or on the road, Ramirez also relies on KRK’s KNS Headphones when listening back on his mixes. “The KRK Headphones have a very particular boost on the mids and mid-lows, so I use them to check my tracks in that range,” he adds. “It helps me assess if I have everything under control.”  

As a longtime KRK user, Ramirez reflected on when he initially heard KRK monitors, at his first studio job. “I will always remember seeing the beautiful speakers with the yellow cone; I felt great listening to the music come out of those ROKIT 8s,” he reminisces. “The speakers sounded terrific, and I just knew they were a quality product. That was back in 2009, and I have been using KRK ever since. KRK continues to be a top-notch brand that has easy and affordable solutions for beginners, as well as higher-end solutions for professionals.”

Ramirez graduated with a degree in audio engineering from Pontificia Universidad Javeriana, in Bogota, Colombia, and later earned his Master of Fine Arts (MFA) degree in sound design from Savannah College of Art and Design in Georgia. From 2018 to 2021, Ramirez was the head recording and mixing engineer at Art House, GRAMMY Award-winner Julio Reyes Copello’s studio. Now, as an independent producer, Ramirez continues to use his array of KRK gear while in the studio and on the road, and his KRK GoAux monitors for personal listening applications.

NOTTINGHAM, ENGLAND, DECEMBER 10, 2024 ― Sibling alt-duo Nyrobi and Chaya Beckett-Messam, also known as ALT BLK ERA, recently wrapped their debut album “Rave Immortal,” which they recorded using their new KRK CLASSIC 5 Powered Studio Monitors. The album features a captivating collection of songs with a fusion of genres, combining the raw energy ofrock, the rhythmic pulse of electronica, and the haunting allure of dark pop. Each track reflects the sisters’ artistic evolution and deep-rooted connection, inviting listeners to experience an immersive soundscape.

From an early age, Nyrobi and Chaya sensed they shared a unique bond through music. Whether harmonizing with their favorite songs on the radio or creating their own melodies, the sisters soon discovered the power of their voices. Thus, ALT BLK ERA was formed, making a powerful entrance into the music scene with the release of the duo’s debut single, “Slowly Die: SOLAR,” in 2022. According to the pair, “the rest is history.”

Nyrobi and Chaya were introduced to KRK when they noticed that many well-respected musicians around them were using the monitors. Intrigued by the positive vibe surrounding KRK, the sisters decided to test out the brand. “We were in search of a pair of high-quality speakers that would last a long time. KRK came highly recommended,” says Chaya. “After hearing the CLASSICs for the first time, we were pleasantly surprised and knew we needed to get ourselves a pair; it was a game-changer.”

The ALT BLK ERA duo also discovered that the monitors significantly enhanced their production process, which helped them craft their debut album with newfound clarity and precision. “We were starting to produce ourselves, and the CLASSICs allowed us to be more technical and take the necessary next step in our musical journey,” says Nyrobi. “Whether we are producing or mixing, the KRKs bring out elements of our music that can be easily missed with conventional headphones or car speakers. From our wild DnB/metal style to our softer ALT pop/rock songs, the KRK CLASSICs help elevate our fans’ music listening experience to the next level.”

One of ALT BLK ERA’s favorite features of the CLASSICs is the system volume control, which provides seamless adjustments to sound levels. This allows them to dial in the perfect volume and enhance their overall listening experience. “I love the volume feature,” says Chaya. “The fact you can turn up the bass is awesome, and you can mix on the speakers as well. The monitors really helped us get our album to sound right.”

The sisters add that the KRK CLASSICs were instrumental in bringing the debut ALT BLK ERA album to life. “The CLASSICs will definitely be featured in our second album,” says Nyrobi. “I will not make any decisions without listening to our songs on those monitors first. If we hadn’t used them for ‘Rave Immortal,’ the album would have sounded completely different; the KRKs gave us a unique perspective that I think we really needed. The CLASSICs are next-level and offer a truly immersive experience. The next project that we do is going to be KRK certified for sure.”

Chaya, one-half of the power duo, plays guitar in addition to singing. She uses an Epiphone Les Paul, which she plans to bring when they go on tour.“I was first introduced to this guitar when we attended Gibson Garage London’s opening day,” she shares. “I had the opportunity to try various models and was drawn to the Les Paul. I played it for the first time during the 200trees Music Festival and have loved it ever since.”

ALT BLK ERA is set to make waves with the highly anticipated release, “Rave Immortal,” which is available for pre-order now and will drop on January 24, 2025. Fans won’t want to miss the duo’s album launch party in Nottingham on January 26, where they will bring the energy and excitement of their new music to life. Additionally, they will hit the stage in London on January 30 for another performance. ALT BLK ERA also recently announced a tour to promote the album, with dates in Manchester, Leeds, Birmingham, Southampton, and London.  

Brand’s monitors, subwoofers, and headphones deliver quality results while mixing for both music and television

MIAMI, DECEMBER 3, 2024 ― Rudy Bethancourt is a GRAMMY^® and Latin GRAMMY^®-winningaudio engineer, music producer, and show programmerwith over 25 years of experience in the industry. His impressive portfolio includes collaborations with renowned artists such as Ricky Martin, Shakira, Jennifer Lopez, Scott Stapp, Carlos Vives, Kany Garcia, Carlos Rivera, Ivy Queen, Ricardo Arjona, Lorde, and Fall Out Boy. Bethancourt’s musical journey began in Guatemala, where he initially made his mark as a musician and band member. His passion led him to also explore the fields of engineering and production.

Bethancourt recently decided it was time to enhance his audio expertise even further by making the transition from stereo to surround at his new Dolby Atmos recording studio, Nine Lives Immersive. To accommodate the immersive projects on which he works, Bethancourt invested in three KRK V6 Series 4 Powered Studio Monitors, as well as ten V4 Series 4,and one pair of V8 Series 4. In addition to his trusted monitors, Bethancourt has two pairs of KRK KNS 8400 Studio Headphones, an S12.4 Powered Studio Subwoofer, and two pairs of a previous generation of V8s.

Nine Lives Immersive features a 9.1.4 Atmos configuration with four monitors mounted on the ceiling, six on stands on the ground, and three on his desk in a left, center, and right arrangement. “The V-Series already sound good on their own; they are transparent, which is important for Atmos,” he explains. “The monitors can adapt to different styles of music, and when you pair them with the S12 Subwoofer, you can get great low end. Even if you don’t use the sub, the V-Series monitors still sound excellent.”

In his studio, Bethancourt embraces transparency as a fundamental principle of his artistic workflow. “One thing I love about the V8s specifically is the low-end extension you get without a subwoofer,” he shares. “They are very straightforward sounding and are overall amazing monitors. There is something about the stereo image that you get when you place them in the perfect position—just wow. Also, when you bring the loudness level down while mixing, the monitors translate well in that low volume environment.”

In addition to his KRK monitors, Bethancourt tunes in with his KNS 8400s headphones. The sound quality of the KRK headphones ensures that every detail of his tracks comes to life, allowing him to immerse himself fully into his creative process. “What I found with the KNS is that they have a more natural response,” he explains. “They are great for tracking vocals because they have this little curve in the mid-highs with nice high end and little low end. Overall, they have a very flat frequency response.”

“Most of the broadcast mixes I worked on for the TV Show ‘La Voz US, Tu Cara Me Suena’ and the Celia Cruz tribute performed by Jennifer Lopez for the American Music Awards, plus multiple mixes for various Latin GRAMMYs live performances, were created with KRK V8s,” he explains. “I also recorded, vocal engineered, and mixed Season 2of theHBO show called ‘A Tiny Audience,’ for which I used the V8s as well. The transient response of the V-Series is so good; when you are in a big room, you can reach 85 dB, and they sound terrific. When you have a smaller room, like mine, there’s a different dB range, so you have to mix at lower volumes. What I like about the V-Series is that the transient response can continue at both the low and high volumes when I push it. These monitors give me that consistency in detail and allow a mid-range that most other speakers can’t.”

In addition to his exciting TV projects, Bethancourt utilizes his KRKs to assist fellow musicians in transforming their music from stereo to the immersive world of Atmos. “I have been using my Dolby Atmos room a lot to help friends who don’t have the budget to translate their old catalog into Atmos,” he shares. “I have also been working with various independent artists to bring their discography up to Dolby specifications because it is so new and an extra cost for them.”

Bethancourt is a longtime KRK user and has worked with the brand for over 15 years. He has been a part of the KRK/Gibson family since 2007 and expresses his gratitude for the incredible support he’s received from the company over the years. “They are like one big family,” he says, highlighting the close-knit community he’s found within the brand. Looking ahead, Bethancourt is excited to keep pushing boundaries, utilizing his trusted KRK monitors, subwoofers, and headphones as he delves deeper into the innovative world of Dolby Atmos.

ATLANTA, NOVEMBER 12, 2024 ― Omar Walker, better known as Major Seven, is a distinguished multi-platinum record producer, songwriter, musician, and visionary whose music profoundly reflects his Jamaican culture. His extraordinary journey in the music industry began under the mentorship of R&B legend Keith Sweat, culminating in a pivotal moment when he produced “The Devil Is a Lie,” featuring Jay-Z, the lead single from Rick Ross’s sixth studio album, “Mastermind.”

Throughout his illustrious career, Major Seven has also collaborated with an impressive range of artists, including Future, Rihanna, DJ Khaled, and DJ Snake, earning numerous Gold^® and Platinum^® certifications from the RIAA. His unique approach to music production, blended with his talent and commitment to collaboration, led to the creation of “The Major7eague,” a global collective of dedicated and gifted creatives.

Major Seven is involved in several exciting projects across the Caribbean, particularly in Jamaica and other islands. For these, he relies on his KRK GoAux Mobile Monitoring System and KNS 8402 Studio Headphones. He has alsorecently acquired ROKIT Generation Five Studio Monitors, the newest addition to the brand’s product line. “KRK speakers are very integrated into Jamaican studios since the color scheme is similar to the Jamaican flag, which is black, yellow, and green,” he says. “They are great quality, versatile speakers. My KRKs are always able to provide a creative solution to any problems I may have.”

In partnership with Vas Productions, Major Seven is also working on a fusion project of hip-hop and reggae that represents his newfound purpose. “Since I can set them up anywhere, the KRK GoAux have been crucial to this project; they are great because I can quickly catch a vibe, prepare ideas, and get things ready for the artist,” he explains. “I’ve traveled to several places around the world for this project, and I always have the speakers with me, whether I am in Prague, London, Jamaica, or somewhere else. The speakers came in handy to get that studio feel, especially when collaborating with an artist on the road. I always want to have that playback available and get the people who are in the room engaged. With the KRK GoAux, I can do that everywhere, which makes them a valuable asset.”

For Major Seven, the quality and portability of the KRK GoAux are especially important on this project. “The way you can just pack the speakers into the case is key because they don’t take up too much space. I’m one of those people who is always overpacking. I don’t know how long I’m going to end up being away, or if I’ll end up staying longer than expected. So, to be able to fit the GoAux in my suitcase and not make my luggage overweight is amazing.”

As someone who appreciates a good aesthetic, Major Seven was also drawn to KRK’s iconic yellow cones. “The design itself is cool,” he adds. “I’m all about colors, lighting, and vibe, so the overall look of the speakers is inspiring.” Thanks to his KRKs, Major Seven can continue to produce studio-quality work even when on the go. “The GoAux are perfect for working on the road and being able to emulate some of that feeling of being in the studio,” he adds. “They sound great, and they’re even louder than expected. I also appreciate the fact that you can angle the speakers for different listening positions.”

According to Major Seven, the album, titled “Life of a Ghetto Yute III,” “seamlessly blends the consciousness of reggae with hip-hop’s raw essence, vividly portraying life in the ghetto. The album captures the spirit of Rasta culture and reggae, with tracks like ‘Pray’ and ‘Life of a Ghetto Yute’ offering rays of hope, while ‘City of Sin’ and ‘96 Degrees’ explore the grittier aspects of ghetto life. Featuring contributions from reggae legends like Sizzla and Beenie Man to hip-hop’s Rapsody, this album is a rich tapestry of voices and narratives, inviting listeners on a profound journey through the heart of the ghetto.” “Believe,” featuring dancehall artist Prince Swanny, is the first single to be released off the album and is available to listeners now on all major streaming platforms.

The KRK KNS Headphones have also been a game changer for Major Seven throughout his production process and during sessions with other artists. “I’m really impressed with the headphones. They’re incredibly comfortable, allowing me to work for long hours without any strain on my ears while delivering precise audio detail,’ he says. “The isolation is excellent, which is essential for the recording process. Artists I’ve worked with also enjoy using them and appreciate the clarity the headphones provide.”

In addition to being well-known in the music production world, Major Seven takes pride in his entrepreneurial efforts. He serves as an Owner and Director of Partnerships for WAVS, an innovative music-tech platform that transforms the way sample creators monetize their work. WAVS curates an exclusive collection of high-quality, royalty-based samples from the top five percent of creators. By offering this resource to beatmakers, songwriters, and producers, the company is setting a new industry standard for both creative empowerment and workflow efficiency. “To be able to get those kinds of wins with the people who you really believe in is very impactful and meaningful,” he shares. “To be able to also mentor them and share what I know and what I’ve learned in the game to help them reach certain goals faster has been an incredible and fulfilling experience.”

Major Seven continues to be committed to blending cultures and genres that reflect his versatile creativity and unwavering vow to excellence. His career strategy is rooted in meticulous craftsmanship, sustainable growth, and the value of networking. With his passion project, “Life of a Ghetto Yute III,” expected to be released next year, he continues to shape the landscape of music production with his KRKs by his side.

LOS ANGELES, OCTOBER 15, 2024 ― When it comes to audio mastering, Howie Weinberg might know a thing or two. With over 8,600 mastering credits and more than 90 billion streams, 21 GRAMMY^® Awards (58 total nominations), three TEC Awards, two Juno Awards, and a Mercury Prize on his resume, the mastering engineer is a legend in his own right. Having worked with some of the biggest names in music across nearly every genre, from hip-hop, alternative, and R&B to rock, pop, heavy metal, and EDM, Weinberg’s name is synonymous with iconic albums like Nirvana’s Nevermind, Madonna’s Music, and Beastie Boys’ Licensed to Ill.

Today, after more than four decades in the industry, Weinberg is still doing what he does best, from his professional home studio in Laurel Canyon, California. “We’re in the heart of an eclectic artistic area, there’s a big recording scene here, and we’re surrounded by a lot of other famous creatives,” he explains. “The house was an old hunting lodge, built in 1910; it has a lot of energy and a great vibe. I have a personal studio here that’s as nice as any commercial space I’ve worked in, along with two other studios on the property. It’s very California.” 

No matter where he sets up shop, Weinberg has continually called on KRK monitors throughout his career, today relying on KRK V-Series in the studio. “I was one of the original KRK users; when they first were released, the founder himself introduced me to the original 7000 Series speakers,” he says. “KRK has always been the number one speaker for audiophiles to have in their kits. There was something magical about that original set, and the KRK engineers did an amazing job of recreating that sound in the V-Series. Those V8s sound so good.”

Weinberg appreciates the compact nature of the V-Series for client listening situations. “Artists can sometimes get overwhelmed by gigantic monitors, so it’s good to have a nice, tight option like the V-Series,” he explains. “These monitors sound perfect; they’re not tiring, and they have really good imaging. I like that they tell me the truth on all frequencies. They have well-made amps, so they can also play super loud when people want; they can crank.”

In addition to his current eight-inch V-Series 8 (V8) monitors, Weinberg also has experience with the six-inch (V6) and four-inch (V4) models. “They are really good speakers that hit really hard,” he adds. “They get incredible bottom-end. You can always get them all bright in the mids, but to get something really big, with huge low-end, is special. I also keep a pair of the V4s at a small, remote beach house, so I can check on records while I am there, and they’re fantastic.”

For times when Weinberg is on the road, he calls on the KRK GoAux Mobile Monitoring System. “The GoAux are cool because people want to travel and still have a set of references wherever they go,” he says. “Whenever I go away anywhere, I just pack ‘em up, and off we go — and they sound great. My assistant finishes all our projects, and if I’m not in the studio, he can still send the files for me to listen to with the GoAux. Those monitors are fantastic for that application. I also use them when I am visiting with clients, which makes it possible for the artists to hear their music in different environments — whether it’s in my professional studio or their living room.”

While designed for mobile applications, Weinberg also uses the GoAux as commercial speakers in a small programming room. “They are just the perfect little speakers and are very well-priced; unlike traditional consumer monitors, the GoAux are not overly done,” he continues. “They can be used both wired or wirelessly via Bluetooth, they’re not heavy, and they have a professional sound. KRK really engineered these things to pack a punch, especially considering their small size.”

Weinberg further appreciates the GoAux for general listening applications. “I don’t get to go on vacation as much as I would like to, but when I do, I bring the GoAux with me so I can listen to music wherever I am,” he adds. “They come in a nice case, so they are easy to pick up and go. They set up easily as well, and they’re a great alternative to headphones.”

Like many of his colleagues, Weinberg keeps an array of studio headphones on hand, including the KRK KNS 6402 Headphones. “They’re a really good reference source,” he says. “They’re not overly engineered, so they sound as good as higher-end consumer options, which I like because a lot of professional headphones have too much sound. The KNS are very accurate in terms of the bottom and top end; and, like the GoAux, they’re not very expensive. Overall, I think they’re just cool headphones. I own a lot of headphones, and the KNS are among my go-to’s.”

As a longtime KRK user, Weinberg has seen the company’s evolution and product development firsthand. “I like KRKs because they’re very flat and even; I’m really hooked on these speakers,” he declares. “Every product KRK (Gibson) makes is phenomenal; super high-end and very well thought out. They translate very well to all the work I do, in or out of the studio, which is the key to a great speaker. The company’s customer support is also fantastic. Anytime I need a new product, or they make a new product that I want to try, they send it over for me to try out. Not every company will do that.”

In addition to the Nirvana, Madonna and The Beastie Boys, Weinberg has also been credited for his mastering work on albums with icons such as Prince, Yoko Ono, Metallica, Eddie Van Halen, Miley Cyrus, Mariah Carey, Sinéad O’Connor, Foster the People, The Black Keys, Smashing Pumpkins, Gary Clark Jr, Def Leppard, Run DMC and The Killers, among countless others. For a full recap of Weinberg’s work, visit his Spotify playlist: https://open.spotify.com/playlist/2Fot465ytwIt82sKqBxrfo.

OLD TAPPAN, NEW JERSEY, SEPTEMBER 26, 2024 ― Array of Hope is a faith-based organization that creates and produces transformative events, films, and music for Catholic parishes and dioceses.With a mission to “reveal the truths of faith,” Array of Hope leaders believe that music is a powerful conduit for delivering faith to all generations. In an effort to deliver the best possible content, Array of Hope Founder and Executive Director Mario Costabile relies on KRK ROKIT 5 Powered Studio Monitors to elevate the organization’s productions.

Implemented as reference monitors across all the facility’s studios, the ROKITs provide the power, accuracy, and sonic ability necessary to produce professional-caliber content. “The ROKITs are our principal playback speakers,” he shares. “The KRKs have the most punch of any monitor out there, and I really like the way they sound. They’re small, they’re tight, and they can cover everything we need. The ROKITs have great solid bottom, clear top end, and an exceptional volume capacity. In fact, the ROKITs put out a lot of volume for the size of the monitors. They are also modestly priced, so I think they are a great option for people.”

Costabile first discovered KRK monitors about six years ago and has continually used them throughout the organization’s studios. “The KRK ROKITs are our principal studio monitors,” he adds. “Every time we build a new mixing space, we add in KRKs. We have acquired about half a dozen pairs now and have placed them in our video playback studios as well as our Logic mixing rooms for referencing. When we get them, we usually just need to adjust them once — to get a flat sound — and we’re good to go after that.

“I think the ROKITs also look cool,” he continues. “While the primary reason I selected them was for the sound, they are unique-looking speakers. The colors and design truly make the KRKs stand out compared to a lot of other monitors.”

Costabile was a successful music and film producer for over 40 years before co-founding Array of Hope in 2010. He has produced content for film, television, and the recording industry. Among the notable organizations for which Costabile has worked are MTV, Sony Music, and Universal Music. As the Executive Director of Array of Hope, Costabile has helped the organization become a leader in evangelization throughout the country.

Array of Hope accomplishes its goals through each of its specific ministries, which include The Array of Hope Concerts and retreats, AOH Music, The Array of Hope Channel and app, The Reason for Hope Podcast, and Array of Hope Social Media Outreach.

The Array of Hope Concert is a wide-ranging live performance that features multiple musical acts, motivational speakers, and thought-provoking film presentations. AOH Music is the organization’s band, which creates praise and worship music to play for the community. The Array of Hope Channel and app is a global video destination where everyone can find meaningful and inspiring films of faith, hope, and love for the entire family.

From in-person concerts to content that is distributed globally, the organization continues to share the Christian faith through high-quality media and events. The KRK ROKIT Studio Monitors help Array of Hope bring the faith-based community together through music television. 

MIAMI, SEPTEMBER 12, 2024 ― DJ, Producer, and Multi-instrumentalist Mike Cerda has been in the music industry for over 25 years. He has worked with various artists and bands such as Shakira, Axwell & Ingrosso, and ChocQuibTown, among others. Cerda’s collaborations with GRAMMY^® and Latin GRAMMY winners, in addition to his role as Musical Director for Maluma, have allowed his influence to reach international heights.

To ensure clear and consistent sound when creating beats in his Miami studio, Cerda relies on the KRK V-Series V6 Powered Studio Monitors, an S10.4 Powered Studio Subwoofer,and KNS 8402 Studio Headphones. For times when he’s crafting arrangements on the road, Cerda calls on the KRK GoAux Mobile Monitoring System.

“I think the most important thing to consider when choosing a pair of speakers is whether they reflect what’s happening and provide transparency of the audio,” says Cerda. “There are a lot of brands that either underrepresent or overrepresent the sound. For me, KRK translates my ideas in the mix exactly how I want.”

Cerda also notes the importance of how his new KRK Subwoofer complements his latest V-Series studio monitors. “I love the combination of my V6 monitors with the 10-inch sub,” he shares. “Even at very low volumes, there is still a great bass presence that translates well in my mixes. Without the sub, I would have to work with higher volumes just to feel the bass.”

A longtime user of KRK, Cerda acquired his first pair of V-Series monitors from a friend and says it was the brand’s aesthetic that initially drew him in. “The appearance of the KRKs is great; I love the yellow cones,” he explains. “The way they look against the brushed metal finish of the faceplate makes the monitors seem almost futuristic.”

Cerda also credits the flexibility of the KRK V-Series as being an important benefit. “It is cool that you can adapt the speakers to any environment that you are working in,” he adds. “They are very easy to use; you can tune them to any room, and they will sound great.”

In addition to his monitors and subwoofer, Cerda praises his KNS headphones for helping him perfect his mixes. “I love the KRK headphones,” he adds. “They are excellent for mixing, but I also use them during recordings as a reference to check my mixes. When I am at my home studio, I use KNS all the time, especially now that I’m a new dad and need to keep the volume low at times.”

Cerda has spent a lot of time touring with Maluma and found himself frequently calling on his KRK GoAuxto produce on the go. “I did not want to have to be isolated in a hotel room, so I would carry my GoAux and use them as a reference when listening,” he explains. “With GoAux, I no longer have to make arrangements to find a studio while on the road; they are easy to travel with and get set up and provide me with a helpful tool for referencing productions and mixes on the go.”

Aside from the features of KRK products themselves, Cerda also finds that the team behind KRK has been instrumental to him. “The support I receive from KRK and [its parent company] Gibson is amazing,” he shares. “I love the Miami team; they are incredible and easy to work with. If I need help with my gear in any way, they are there for me.”

A proud Venezuelan who was born in Caracas, Cerda has been around music his entire life. His musical odyssey began with his grandfather’s influence, a guiding force that introduced him to the world of music. At the age of eight, he embraced instruments like trombone, trumpet, and saxophone, setting the stage for a lifelong passion. While studying geophysical engineering in school, Cerda started a rap/hip-hop band called Cuarto Poder. The band soon became mainstream in Venezuela, which inspired Cerda to switch to studying recording arts in school. Cerda found it enriching to learn the theory of music while getting hands-on practice at the same time.

Now, with a wealth of experiences from traveling the world, Cerda immerses himself in his latest projects. He fuses the captivating realms of house music with the diverse influences that have shaped his musical identity while also exploring unique sound and rhythm.

Songwriter Uses the Brand’s Monitors and Subwoofers in his Home Studio and On-the-Go

MIAMI, AUGUST 20, 2024 ― Music Producer, TV/Film/Musicals Creator, Songwriter, and Guitarist Jose Luis “Pepe” Pagan has had an ear for music from a young age. He was born in Argentina, where he first began his career in the music industry before moving to the United States 25 years ago. He has since worked with artists such as Marc Anthony, J.Lo, Chayanne, Thalia, and Sarah Lenore, among others.

In addition to being a music producer, Pagan also works in the TV, film, and musicals industries and is the creator and music producer of the Amazon Prime show “Melody.” The show follows 18-year-old Melody, who seeks to develop her musical career as a means of escape from her challenges at home. Pagan is also the co-producer for an upcoming musical about the life of Latin American Artist Sandro. The show honors the late Latin icon and will showcase the story of his life and musical career. 

For these projects, Pagan splits his time between his home studio and locations in Miami and Argentina, where he always has a combination of KRK solutions available. Included among these are the V-Series V4 Powered Studio Monitors and an S10.4 Powered Studio Subwoofer, as well as the legacy ROKIT 5 Generation 4 Powered Studio Monitors and 10S Subwoofer.

“I use the V4s a lot, basically for everything: when mixing, during the recording, and for completing all my music,” he says. “I love these speakers. When I go to Argentina again for my next musical, I will bring them with me. I travel everywhere with them because I like to always have the ability to reference on the spot.”

As a producer, Pagan previously found it difficult to get just the right level of vocals for his mixes, but the V4s have solved this problem with ease. “I was struggling a bit with finishing mixes, and I found that, despite being smaller speakers, they provide a perfect balance between all the frequencies that are really key,” he shares.

A longtime KRK user, Pagan first started with the brand’s iconic ROKIT monitors. “For general use, the ROKITs are incredible and very solid for their price point; they have great accuracy and bass response,” he shares. “The ROKITs are also an amazing option for entry-level producers.”

Pagan also entrusts his KRK subwoofers to deliver quality sound at his home studio. “I use the subwoofers to make sure everything is balanced. I have one in the center, which is an old KRK 10S Sub, and I have another one a little bit to the side, which is the new 10.4. The definition from the KRK subs is way better than any other subs I have tried. I really love them both.”

Pagan says that he finds the brand’s connection to its artists to be equally as important as the quality of its equipment. “I have been working with KRK’s parent company, Gibson, for a long time, close to 20 years, and their support has been incredible,” he shares. “I think the care Gibson gives to its artists is something incomparable. Of course, the craftsmanship of the brand also makes a huge difference. When you combine the artist relations and the quality of the instruments and equipment, it is something extraordinary. I have truly had a beautiful journey with Gibson/KRK.”

With such a long history with the brands, Pagan sees no end to his use of KRK gear, which he credits with having helped improve his workflow in a significant way. “My KRK gear has really changed the way I work when mixing, and they always seem to know exactly what I need,” he says. “I think that is something really special.” 

Lifelong KRK User Equips Latest Studio With the Brand’s Monitors and Subwoofers to Create Iconic Beats for Stereo and Dolby Atmos Applications

MIAMI, JULY 16, 2024 ― Five-time GRAMMY^® Award-winning Recording Engineer and Producer Jimmy Douglass has a prolific career spanning over four decades. Throughout his time in the music industry, Douglass has worked with renowned artists like Aretha Franklin, The Rolling Stones, and Foreigner, to contemporary performers such as Jay-Z, Justin Timberlake, Timbaland, Pharrell Williams, and many more.

As someone who lives and breathes music, Douglass has always felt the most creative when he taps into the feeling of the music. He says his goal is to create music that makes everybody in the room feel good. “Music is all about the vibe,” he shares. “Whether it’s rock, R&B, or soul, when you get that certain feeling, that is when it’s right.”

Douglass’ Miami studio consists of two stereo rooms and one Dolby® Atmos room, which requires gear that can withstand various musical applications. A longtime KRK user, his studio currently consists of a collection of V-Series V8 Powered Studio Monitors, Classic 8 Powered Studio Monitors,and S10 Powered Studio Subwoofers.

“KRK speakers can handle the levels required for hip-hop. I can blow them up, and they can really push that power out,” he shares. “They have tone even without a subwoofer and are nice and crisp sounding. I use them a lot in both my Dolby and stereo rooms.”

After nearly two decades of using KRK in his workspaces, Douglass knew it was the only brand he would trust when it came time to build his Dolby Atmos studio. “I had about 20 KRK monitors in my inventory, so I decided to use those to build my Dolby system, and I love how you really get to hear the definition and the distance in the surround production,” he says. “Another advantage of KRK is that I can move them around with ease. I have them on stands around the room, which makes it a portable configuration. I can break it down at any time, and I don’t have to commit. To me, that is the beauty of that system.”

Douglass also appreciates the aesthetic appeal of the KRK brand. “One of my favorite elements of KRK is the easily identifiable color of those woofers; the yellow really stands out,” he adds. “My KRKs also take punishment well. Durability is a major consideration when using a speaker, especially doing a lot of hip-hop with all the extra energy that is being pushed out,” he adds.

Douglass has had a long-standing relationship with KRK since the early 2000s and has used his KRKs on a few recent projects, and he does not plan to stop anytime soon. “I was lucky enough to get to redo Justin Timberlake’s catalog in Atmos,” he says. “My KRKs were very instrumental to that project. The songs sound amazing when you get to hear them on the speakers in the immersive environment. I tried to listen back on my phone in binaural, but I was not getting the spatial dimension that I was experiencing from listening through speakers. So, those were very important throughout the whole process. Whatever projects I have coming down the line, I am working on them with my KRKs.”

Jimmy Douglass continues to display his versatility by remaining current while drawing from his years of experience. He is best known for bringing unconventional techniques into the studio and encouraging artists to transcend genre restrictions. Douglass is credited with bringing a raw edge to sound and specifically bringing a heavy funk bass sound into rock music. His hard work and immense talent have carved a place for him among some of the most respected engineers and mixers in the world.

Rodriguez Uses KRK ROKITs as Reference Monitors for his Podcast “El Poder de la Música”

MIAMI, JUNE 24, 2024 ― Podcaster Humberto “El Gato” Rodriguez’s “El Poder de la Música” podcast focuses on all the intricacies of music, from the science behind production to new and emerging artists. His show, which translates to “The Power of Music,” can be found on all major podcasting platforms — such as Apple Music, Spotify, and iHeart Radio.

“El Poder is a reflection of my love for music and the type of musician I would want to be had I become one,” shares Rodriguez. “I started this podcast six years ago with the vision of having a platform to discuss music with musicians, creators, engineers, producers, and anybody else who has anything to do with music, even from a scientific point of view. It has been a real treat to do what I love and be around great music and musicians.”

To bring his podcast to life, Rodriguez knows the gear in his studio needs to be equally as great as the equipment used by the artists he interviews. The KRK ROKIT 7 G4 Professional Bi-Amp Powered Studio Monitors were an easy choice. “I use my KRKs for everything,” says Rodriguez, who has the White Noise editions. “I use them for the podcast, which I air on audio and video platforms, and to listen to music; I have also produced a couple of songs with them.”

While there are many features that Rodriguez appreciates about his ROKITs, there are a few that stand out most. “One thing I really love about my KRKs is that the bass is in the front,” he says. “I don’t have a lot of room in my studio, and I needed a sound that was accurate and reliable. If the bass is too close to the back, the sound bounces and isn’t accurate. I love bass, so it was important for me to find a speaker that allows it to sound clean and precise.”

Rodriguez also credits the control functions of the monitors as being among his favored features. “I like the on-board LCD visual EQ,” he adds. “At first, I didn’t know that you could have presets of EQ, but now I love that function because I can keep the speakers flat and use my presets as necessary. I also love the standby feature. If I forget to turn off the speakers, it goes into standby mode and shuts itself down.” 

As someone who prides himself on being genuine, Rodriguez was happy to find a pair of speakers that he trusts. “I am very honest in my personal life and even when I go on air for my radio show or podcast,” he explains. “So, I need real gear and KRK for me is real. There are other well-known brands that might look very cool, but they are not authentic. I like accuracy and an honest sound; the KRK ROKITs are that for me.”

A staple in the pro audio industry for nearly 35 years, Rodriguez started his career working in a recording studio at a radio station in the Dominican Republic, which he credits as the driving force behind his connection to music. Rodriguez studied journalism in Colombia and after moving to the United States, became a well-known on-air personality. He has hosted programs on Spanish-language stations in the Dominican Republic, Colombia, and Florida. He continues to follow his passion for music and considers himself a communicator through radio and television.

As a longtime fan of Gibson, Rodriguez has a strong relationship with the brand and KRK. He works closely with Cesar Acevedo, director of entertainment relations for Latin America at Gibson. “Cesar is like a brother to me,” shares Rodriguez. “Gibson is truly like my family, so working with KRK just made sense.”

Christian “Tian” Jimenez Uses KRK ROKIT Monitors and Subwoofer While Producing and Mastering a Variety of Projects

MIAMI, MAY 9, 2024 ― Miami-based DJ, Music Producer,and Music Business Entrepreneur Christian “Tian” Jimenez has always enjoyed making music. From producing and mastering in his home studio to mixing on stage, Jimenez continues to develop his sound. The KRK ROKIT 8 G4 Studio Monitors and S10.4 Studio Subwoofer have both played a crucial part in helping Jimenez create his beats.

“I use my KRKs for production and mastering projects as an electronic music DJ and producer, and switching to the ROKIT 8 monitors paired with the S10.4 subwoofer has been spectacular,” says Jimenez. “The audio reference is extremely balanced between bass, mids, and highs. I consider audio quality to be very important in any scenario and having equipment with these capabilities makes you really work and appreciate the music.”

Jimenez finds that his KRKs allow for an overall better listening experience when in the studio. “Thanks to my KRKs, I have better control of the room and a better sonic experience,” explains Jimenez. “The speakers are super powerful, and I am very happy with them. I feel that my KRKs are very well-rounded, and my favorite spec of the speakers is the low end!”

While Jimenez enjoys a variety of the features his KRK ROKIT monitors have to offer, one of his favorite parts is the DSP-driven Graphic EQ. “Having a Graphic EQ in the back is a big plus for me,” says Jimenez. “It allows me to control the dynamics and modify the settings of the speakers for the room.” The 25 settings also help condition his acoustic environment and offer new levels of versatility within the studio monitors. This feature is great for when Jimenez wants a different EQ response between creating and mixing his music.

Hailing from El Paso, TX, and Ciudad Juarez, Mexico, Jimenez is a longtime vinyl enthusiast. He understands the impact that quality equipment in the music-making process can have on the final product. “I have always wanted to own a pair of KRKs and thanks to the KRK Miami team, now I do,” shares Jimenez.

In addition to his studio work, Jimenez’s selections and mixing abilities have given him the opportunity to play at a variety of notable venues in Miami. He made his first international debut at Soles Beach Club in Punta Cana, Dominican Republic. Looking ahead, Jimenez plans to continue to use his KRKs for future projects, specifically when recording and mixing.

The Multi-disciplinary Creative Also Utilizes the Brand’s Renowned V-Series With A KRK Subwoofer in the Studio

BERLIN, GERMANY, APRIL 9, 2024 ― German multi-disciplinary creative director, artist, and digital consultant Ron Flieger combines his love for visuals, fashion, technology, and music in his daily life. With multiple passions and career focuses, Flieger often finds himself working on the road and requires a pair of mobile monitors that fit into his workflow.

As an artist, Flieger knows that when a new idea comes to mind, there is no time to waste. His GoAux allow him to get started no matter where he is. “I mainly work on and finish my projects at my studio,” he says. “However, I have always loved trying out new ideas while on the road. That is when the GoAux 3 monitors come in handy.”

Flieger appreciates the ability to take his GoAux on the go and notes the monitors’ compact size as a feature that makes them ideal for portable applications. “I spend a lot of time on the road, so I often work out of hotel rooms these days,” shares Flieger. “The GoAux have never failed me on the go, and the bass response coming from such small speakers is super impressive.”

Accurate sound is another important feature for any monitor when it comes to making music. “I love how true KRK speakers are to the sound and that they do not hide anything,” explains Flieger. “I was never interested in overemphasizing audio within my workflow. If the vibe is nice, just let it roll. KRK speakers have always helped me get into the zone without getting carried away from reality.”

Flieger continues to use his KRKs for a variety of creative projects. “I mainly use the KRK GoAux for composing and producing,” shares Flieger. “I pretty much finished a whole project with just the GoAux, had another listen back at my studio and tweaked a few minor things. Everything turned out to be top-notch. I am super happy with the results.”

Ron Flieger has been a part of the music industry since the age of 22 when he was signed with Warner as a full-time singer/songwriter. He worked in this role for several years before getting signed by Universal Music Group, where he expanded his field of work to writing and producing for other artists. Flieger has also composed music for film and commercials.

Today, Flieger is best known as a creative director. His personal aesthetic always follows a “sophisticated and raw” vibe, and his KRKs continue to contribute to his creative workflow. “It is refreshing to be able to fully rely on my KRKs as a reference when it comes to evaluating the magic of sound,” he says.

Next-gen ROKIT Features Three New Voicing Modes, Enhanced Tweeter Design, and a Refreshed LCD

NASHVILLE, MARCH 26, 2024 ― As the unwavering cornerstone of professional audio monitoring for over three decades, KRK earned its reputation through a rich history of innovation and precision. Building off this legacy, Gibson introduces the newest addition to KRK’s impressive range of professional audio solutions: the ROKIT Generation Five Studio Monitors.Offered in three sizes — five, seven, and eight-inch — these advanced, active, two-way studio reference monitors feature three new voicing modes, an enhanced tweeter design, and a refreshed LCD.

KRK ROKIT Generation Five monitors were created to meet the diverse needs of musicians, composers, producers, and sound engineers by providing the tools needed to reproduce every nuance of a production with astonishing clarity. The ROKIT Generation Five line is available through select dealers and online at krkmusic.com.

“Featuring KRK’s world-renowned sound along with new technology and tuning parameters to truly dial-in the listening experience, the KRK ROKIT Generation Five is a must-have studio solution for the most demanding creators,” says Sterling Doak, Senior Director of Marketing for Gibson. “KRK engineers continually pull from the brand’s legacy of trust and performance to refine its studio monitors — blending cutting-edge technology with the time-tested principles of audio engineering. The same holds true for this latest development. As the most advanced monitor in its class, the KRK ROKIT Generation Five is powerful enough to handle the rigors of professional use but basic enough for emerging producers, engineers, and artists.”

With three voicing modes available, the KRK ROKIT Generation Five Monitors cover all the bases for today’s music makers. Included among these is Mix Mode, which offers a flat frequency and phase response that is ideal for mixing, mastering, and critical listening. Create Mode provides more inspirational voicing and is best used for writing, producing, and casual listening. Finally, Focus Mode has mid-focused voicing for critical analysis of the midrange band, where vocals and instruments have the most energy.

The monitors also feature 25 evolved DSP boundary and tuning EQ combinations that help minimize and correct problems in any acoustic environment. Additionally, the newly designed tweeter benefits from a highly damped acoustic silk dome diaphragm for improved phase performance and an extended frequency range (up to 40 kHz), while the refreshed, amber-colored LCD DSP interface simplifies the calibration process with new tuning options.

The monitors also feature KRK’s iconic woven Kevlar^® aramid fiber cone woofers for superior damping and modal breakup control and Class D power amplifiers to drive the transducers evenly and more efficiently at reduced operating temperatures to ensure maximum transient response and dynamics reproduction for audio integrity during long work sessions.

Intended for plug-and-play use, each pair of monitors also comes with a set of isolation wedges for easy setup, while integrated mounting points make it simple to use them with any wall/ceiling mount solutions. Each pair also comes standard with the protective grille installed, while an additional faceplate option without the grille is included to accommodate aesthetic preferences.

As the newest generation of the iconic ROKIT professional studio monitors, the KRK ROKIT Generation Five takes music and sound creativity to a whole new level in the industry.   

Explore the new KRK ROKIT Generation Five product line HERE.

All KRK ROKIT Generation Five assets can be found HERE.

GoAux Provides Accurate Audio Representation for Work With Country Stars Such as Ronnie Dunn

NASHVILLE, FEBRUARY 22, 2024 ― With a passion for both music and technology, GRAMMY^® Award-winning Engineer Steve Marcantonio has dedicated his life to crafting songs while simultaneously trying every new music industry trend. Early on, Marcantonio distinguished himself by bridging the gap between the analog and digital worlds, a skill he continues to use today. Since his start at New York’s Record Plant Studios, where he worked alongside influential artists such as Aerosmith, Kiss, and John Lennon, Marcantonio has established himself as one of the most esteemed names in country music.

Although he is no longer traveling extensively, Marcantonio still finds himself working on sessions outside of his studio space. For these instances, the engineer has turned to his new KRK GoAux 4 Portable Monitor System as an accurate and versatile reference solution. As a longtime KRK user, Marcantonio currently deploys KRK V-Series V4 and V8 monitors and a S10.4 subwoofer in his studio, so the KRK GoAux was a natural progression for the producer.

“The KRK GoAux have a lovely bottom-end with crystal-clear top-end and imaging, which is important to me,” Marcantonio explains. “What I’m used to hearing through my professional KRK speakers comes through in the GoAux. Best of all, I can use them to easily reference what my mix might sound like in different listening areas. I can put them on the other side of the studio wall or in an area that’s not part of our usual listening surface and get an accurate representation of that space. The speakers are good at projecting my track in a way that is comparable to what the consumer will ultimately hear.”

Marcantonio most recently used this method for his recording work with Ronnie Dunn of the country duo Brooks and Dunn. “A lot of times when we’re in the middle of a session, the artist or producer wants to reference another track on their phone,” explains Marcantonio. “It has been a huge help that they are able to just use the Bluetooth connection on the GoAux to easily play back on actual speakers, and it sounds great! The measurement microphone is also awesome. Ultimately, it’s really all about the convenience: the included stands and bag make this so simple to quickly set up.”

The handiness and accessories provided by GoAux were a welcome upgrade to Marcantonio’s mobile setup. Marcantonio also appreciates the convenience of using GoAux to assist his students at Blackbird Academy, an educational mentorship program from Nashville’s Blackbird Studios. Academy students are taught by esteemed audio professionals such as Marcantonio, gaining the hands-on experience needed to succeed in the music industry. As students often take sessions at MusicHouse, among other locations, Marcantonio notes that the portability of GoAux will provide an added benefit for these up-and-coming musicians, producers, and engineers.

“I have encouraged many people, in person and online, to look into the KRK GoAux,” he finishes. “They’re the perfect speakers for a musician who’s going from hotel to hotel, a producer working off their computer, or a young person who’s constantly on the go. The carrying case is a great size for a plane and can fit within your carry-on. Even for someone like me, who isn’t traveling as much anymore, bringing these to recording sessions at artists’ homes or studios is great. For the price, convenience, and history that KRK has, choosing GoAux is a no-brainer.”

Audio Engineer and Studio Manager Frank Socorro Uses KRK Monitors for Sound Referencing On-site and On-the-go

MIAMI, FEBRUARY 6, 2024 ― Morplay Studios Audio Engineer and Studio Manager Franklin “Frank” Socorro is a music industry veteran who has shared his knowledge and love for music and production for 25 years. Socorro first started out freelancing, crafting songs for Latin artists like Ricky Martin, Julio Iglesias, and Enrique Iglesias. It wasn’t long before Socorro moved into the hip hop and R&B world, where he worked alongside Producer Salaam Remi and a variety of artists, including Faith Evans, Nas, 50 Cent, and the late Amy Winehouse. He also taught audio courses at the SAE Institute for nearly a decade before joining Morplay Studios in Miami. 

“Due to space limitations in the room, we needed to have the low end without also using a sub,” he says. “With these considerations, choosing the ROKIT 10-3s was an easy decision. Overall, even at a loud volume, the monitors reproduce well. They don’t alter their sound sonically as the volume increases, and that makes it easy for us to trust what’s happening when we play the music through the speakers. It’s a good reference at different volumes, which is important.” 

Socorro also uses two pairs of the KRK GoAux Portable Monitors to assist with mobile referencing.“The ability to go anywhere with the GoAux is really great,” he explains. “I was especially blown away by the bass response, which is obviously hard to pull off in such a small speaker. I find that the accuracy you get from the low end is impressive and extremely useful, especially for a speaker that can be moved around.”

The mobility and sound quality of the GoAux have proven especially important for playback applications. “Right now, we have the GoAux monitors sitting in a non-treated office made out of a container with metal walls, which is the worst listening environment, ever―yet the monitors still sound good,” he shares. “That is a testament to what the KRK GoAux can do; the room becomes less of an issue, which is important when you’re trying to listen to something that’s critical.”

From a usability standpoint, Socorro says that having portable monitors that are easy to set up and work on has made for a much smoother-running studio. “Anyone who is not super familiar or technologically savvy with audio equipment can easily set the KRK GoAux monitors up and make them work,” he adds. “They also have Bluetooth, so anyone can connect and play their music without the need to continually unplug, which is an added bonus.” 

Mixing and Recording Engineer Maria Elisa Ayerbe Used KRK Headphones, Monitors, and Sub to Produce Arenas’ Most Recent Album

MIAMI, JANUARY 8, 2024 ― GRAMMY^®-nominated Singer and Songwriter Paula Arenas released her third album titled ‘A Ciegas’ in May, and it has since been nominated for four Latin GRAMMY^® Awards and one GRAMMY^® Award in the category of Best Latin Album. Like Arenas’ previous two albums, ‘A Ciegas’ was crafted with the help of her friend and Latin GRAMMY^®-winning Engineer and Latin GRAMMY^®-nominated Producer and Composer Maria Elisa Ayerbe.

Maria Elisa Ayerbe (left) and Paula Arenas (right) in the studio with KRK KNS 8402 Studio Headphones and KRK V-Series Studio Monitors.

Arenas and Ayerbe both have a strong passion for music, and they require high-quality audio equipment to share this passion with the world. That is why they turned to KRK’s KNS 8402 Studio Headphones, which were used to help create Arenas’ most recent album. “I like the 8402s specifically because they help make our tracks sound good and are well-balanced headphones,” says Ayerbe. “I also really appreciate the fact that they have volume control, so I don’t have to ride the artists’ volume on my end the entire time. The KRK KNS have great isolation, so you don’t get a lot of bleed, which doesn’t happen with other headphones.”

Another reason the KRK headphones are a go-to for the duo is the fit. “They’re comfortable, and that is important while recording since we’re wearing them for hours,” shares Ayerbe. “They are also nice looking, which is always a plus,” adds Arenas. “I love them and really treasure them.”

A long-time KRK user, Ayerbe has a variety of gear at her Miami-based South Mountain Studios,which she also deployed in the creation of Arenas’ music, as well as a variety of other recording and mixing projects. This includes the KRK S8.4 Powered Studio Subwoofer and KRK V4 Series 4 Powered Reference Monitors. “The V4s are incredibly accurate, high-quality compact speakers,” says Ayerbe. “I love how transparent they are. They have a great low end and a very open, pristine, high end, as well as a very good stereo image.”

In addition to working with KRK in the studio, Arenas has her own pair of KNS 8402s at her home as well as the KRK ROKIT 5 G4 Five-inch Powered Near-Field Studio Monitors, which Ayerbe recommended for Arenas’ space. “The monitors work great no matter what environment they are in,” explains Ayerbe of the decision to install the monitors in Arenas’ home. “The ROKITs are good at providing a great reference without relying too much on the acoustic treatment of the room, which is perfect for home-listening applications.”

While the studio equipment used is important to make a great album, so are the people you work with—that is why Arenas and Ayerbe have had such success collaborating for so long. “Paula knows exactly what she wants to sound like, and she is able to let me know the story that she wants to tell sonically before I step in on the technical side,” adds Ayerbe.

“It is so important to work with people who you trust, and Maria Elisa is that for me. We understand each other very well, and that is why we continue to work together,” shares Arenas. ‘A Ciegas’ holds a special place in Arenas’ heart. “The album is very personal. The title means going blindly, which is how I feel when I really get into my music,” says Arenas. “Writing songs is like a diary to me; I tend to write what is in my heart, and I do it to be my best self for me, my son, and my family. The album is almost like a love letter to me.”

Ayerbe also understands the importance of Arenas’ music and believes that is what makes the duo thrive. “Paula’s music is very heartfelt, and she stands by everything that she writes,” shares Ayerbe. “There’s always a story to tell, and there’s always a feeling behind those stories. Also, we are very specific and conscious about the overall quality of the music. This is why I think our partnership has been successful—I listen to her, and I take her music to where she wants it to go. Ours is a great partnership because we have fun, and we love what we do.”

Arenas started her music career in her home of Bogotá, Colombia, and eventually made her way to Miami, where she has lived ever since. Ayerbe is also from Bogotá and has been working professionally for 17 years. She has her own label and a goal to empower and highlight Latin music in the alternative pop scene. She is also an audio educator who currently teaches at Abbey Road Institute in Miami and has taught at a variety of universities across the U.S. and Colombia.

GoAux 4 Portable Studio Monitor Helps the Songwriter/Producer Craft a Unique Sound From Anywhere

PADOVA, ITALY, DECEMBER 14, 2023 ― Producer, Writer, and Artist Giacomo Uber, also known as jayover, fell in love with electronic music and music production when he was a kid, and has been pursuing these passions ever since. While working in his Italy-based studio, Area 23, Giacomo has produced and written music for artists such as Gabry Ponte, Don Diablo, LUM!X, Martin Jensen, and JP Cooper, among others, cumulating in around 400 million streams and two gold records. Giacomo’s love for creating music has also translated into his personal career, where he works on his current artistic project, “jayover.”

Giacomo says that one of his favorite features of the KRK GoAux 4 is the built-in auto-calibration system. “Obviously, hotels and living rooms are not meant to be studios, so the acoustics in these spaces can be a problem,” he explains. “With the auto-calibration system of the KRK GoAux, I can improve the sound of a space in just a couple of minutes! I take them with me quite often, so that’s important. They’re also great for outdoor spaces ― I use them in my garden when I get tired of staying inside my studio. Overall, the KRK GoAux work very well, and having the bag is a plus to carry and protect them!”

While he more recently began using the GoAux, KRK monitors are not new to Giacomo. “I first heard about the brand about ten years ago while watching tutorials on the internet and seeing KRK monitors being used,” he explains. “After that, I started working on a pair of my friend’s ROKIT 6s, and KRK monitors have been my go-to ever since. I can’t wait to bring the GoAux with me to southern Italy on holiday and write music on the beach.”

Giacomo has always had a strong interest in music; he played the drums for a funk band at age 10 and studied music theory in school. Since then, Giacomo has focused on dance and electronic music and has written and produced a variety of songs, such as “In The Club” and “What Happened.” He also formed and is a part of the Italian music duo Out Of Sound with Italian Singer and Songwriter Mattia Lever. The duo has produced multiple tracks, including “Nobody to Love” and “Sweet Like Chocolate.”

In 2022, Giacomo decided to focus on his work as “jayover” and produced “Talk Talk,” his first collaboration with Italian DJ Alex Gaudino and Musical Artist Tobtok. Since then, Giacomo has worked with legendary Italian Musician Gabry Ponte and English Singer Conor Maynard to create “Another Night,” which has millions of streams on various music platforms. Giacomo has also worked with labels such as Sony Music, Polydor (Universal Music), and Virgin Records for both his professional production and writing work and his personal project, jayover. With many releases coming up for jayover, Giacomo is excited to continue to write and produce with his KRK GoAux by his side. 

All-in-one Package Includes two CLASSIC 5 Monitors, Cables, and Isolation Pads for a Complete Audio Solution

With proven performance built on decades of successful studio monitoring, the KRK CLASSIC 5 Studio Monitors have become an industry staple for budding producers and seasoned mix engineers. Now, it’s even easier for users to get their hands on a CLASSIC with the introduction of the all-new KRK CLASSIC 5 Monitor Pack: a comprehensive package featuring a pair of KRK Classic 5 monitors, two XLR cables, and two wedge isolation pads for just $299. Available online at krkmusic.com and through select dealers, the CLASSIC 5 Monitor Pack provides tried, true, and reliable KRK sound in a hassle-free ensemble.

“As a long-trusted audio solution within the industry, we’re excited for the CLASSIC 5 monitors to be more accessible than ever,” says Sterling Doak, Senior Director of Marketing for Gibson Brands. “We’re always looking to raise the bar on value, and the CLASSIC 5 pack does just that—producers can now find everything they need for their speaker setup in one place without the need for multiple purchases. Whether you’re saving up to build out your home studio or looking for the best value when adding monitors to your existing studio, the CLASSIC 5 bundle will fit all your needs.”

A staple among hip hop, R&B, and pop producers, the CLASSIC 5 defaults to a flat frequency solution for critical listening and more accurate mixes. An optional +2 dB KRK Bass Boost also provides the enhanced bass response and sound that music creators around the world have loved for years.

Additionally, the CLASSIC 5 monitors offer Volume, HF, and LF level adjustments to tailor the monitors to any acoustic environment and fine-tune the monitoring level. Class AB amplification with region-specific linear power supplies produces 50 watts of power, with a 30-watt amp driving the woven glass fiber woofer and a 20-watt amp for the soft dome textile tweeter.

Beyond the esteemed CLASSIC 5 Studio Monitors, the CLASSIC 5 Monitor Pack also includes additional accessories to complete your speaker setup. Get mixing right away with the two 10-foot XLR cables, which allow you to connect the monitors to most audio interfaces and mixing consoles, while a pair of acoustic foam wedge isolation pads allow for improved clarity while providing a protective barrier to the workspace surface.

The KRK CLASSIC 5 are part of the KRK CLASSIC Series, which were inspired by the brand’s popular ROKIT line. Included in the series are the seven-inch CLASSIC 7 and eight-inch
CLASSIC 8 monitors. All three solutions build off KRK’s 30 years of innovation to deliver the same features, accuracy, and performance, and are an ideal springboard into the world of premium KRK studio monitoring.

The new KRK CLASSIC 5 Monitor Pack is available now online and through select dealers. Visit  https://www.krkmusic.com/Studio-Monitors/CLASSIC-5-PACK for more information.

The Songwriter, Recording Artist, and Touring Musician Produces, Mixes, and Tracks on the Road With KRK GoAux

Songwriter, Recording Artist, and Touring Musician Nico González has traveled the United States sharing his passion for Latin pop and urban music inspired by his Colombian heritage. When he’s not creating in this style, González finds himself writing, producing, engineering, and performing in a variety of genres and formats, including pop and rock. His musical skills translate not only to his personal projects but also to those artists he works alongside, such as Ela Taubert, Juli, Diego Torres, Las Villa, and Borja, among others.

Currently a touring musician for Colombian singer Camilo, González is constantly on the move and has kept himself busy working on various mixing and production projects while on the road. This includes assignments with labels like Sony Music Latin and Universal Latin, as well as Camilo’s HBO Max Documentary titled “El Primer Tour de mi Vida,” for which González was a mixing engineer.

The ability to produce quality music from anywhere is vital to González’s workflow. He recently turned to the KRK GoAux Portable Monitor System to assist with the workload. “The GoAux monitors truly make me feel like I am working in my studio, and that is the most important part of any portable monitor,” he says. “I really like the sensational and powerful low-end that the GoAux monitors produce, despite their small size. I also like that the mids, low-mids, and high-mids are very defined and clear, and I love that they’re not too bright.”

The small size and sound reproduction of the GoAux especially shine for González while on tour. “Since I am used to the monitors’ great sound, I can work on these projects from anywhere in the world,” he continues. “I have been traveling for weeks now, playing shows while also producing tracks, songwriting, and mixing all kinds of music from hotel rooms. I really like that I can take the KRK GoAux monitors with me everywhere. They’re so small I can fit them almost anywhere; I’ve stored them in my backpack and carry-on when going between tour stops with Camilo. When I’m traveling lighter, I can count on the system’s amazing case.”

With no sign of slowing down and his passion for music only growing, González also creates his own original songs and arrangements, the productions of which are further aided by the KRK GoAux. With the portable monitors now by his side, González has found a way to easily hone his passion with artists all over the United States. “Something I truly enjoy is that the system has built-in Bluetooth,” González says. “Any friend or artist who’s working with me in a session can play their musical references and show their playlists, which enhances and speeds up the creative process.”

A graduate of Berklee, where he dual majored in music production and engineering as well as contemporary writing and production, González released his first single, “¿Cómo Decirte?” in 2016. Since that time, he has put out several other tracks, including “Mira,” “El Traductor,” and a holiday single titled “Si la Vivo en Medellín.” He has also previously toured with Camilo during his first world tour, “Mis Manos.” In addition to touring around North America, González has performed at his alma mater as well as at shows in his home country of Colombia.

Producer and Session Guitarist Shawn Tubbs Finds Creative Outlet at Home After Retiring from the Rigors of Touring

Inspired by the work of icons like Jimi Hendrix and Jeff Beck, Producer and Session Musician Shawn Tubbs developed his own passion and talent for guitar at a young age. His skills catapulted him into a career supporting artists for both live and recorded performances. From touring alongside Carrie Underwood to performing with Stone Temple Pilots on Saturday Night Live and MTV Unplugged, Tubbs has traveled the world performing in intimate venues and large stadiums.

Tubbs’ professional career began in California at age 15, doing session work and playing in some of the region’s hottest clubs. His talents were noticed by the contemporary Christian rock band, The Violet Burning, which propelled him into the world of Christian music as a recording artist and performer. After touring with Underwood for over a decade, Tubbs retired from life on the road and turned his attention to creating online gear demos for YouTube audiences, which he says “boast a large following of gear and guitar lovers alike.”

Now a session guitarist focusing on creating music for various artists, Tubbs completes much of his work remotely, recording or producing tracks from his home studio. This includes custom tracks, which can be found on projects for artists such as bassist and producer Anthony Sallee. Tubbs’ most recent and notable work can be found on three tracks of the late David Crosby’s album, For Free: “Ships in the Night,” “Boxes,” and “River Rise.” Tubbs also released his own album, Demolition, A Collection of Short Guitar Jams, which is available on Soundcloud.

With his musical focus turned primarily to recording and producing these days, Tubbs recognizes the need to always have top-of-the-line gear that will enhance his work. As a result, he installed KRK V-Series 8 Studio Monitors, which he says provide natural reproduction of his tracks and projects. “I feel so much more comfortable now as a guitar player hearing my soloed tracks through the V8s,” he shares. “When I send out work that I have done, I’m confident in what I’ve produced because of how true the V8s are to the sound of the source. In the rare case when a client says a track sounds off, I know it wasn’t because the monitoring was misrepresented. Instead, it’s usually just a matter of the client looking for something else, and the KRKs make it possible for me to easily go back in and adjust the source tone. That’s a big benefit of the V8s for me.”

As a guitarist and producer who has devoted years to his monitors, Tubbs has a unique perspective on the V8s’ performance. “I’m moving into a much smaller room, and the V8s might be a bit much for the space, but I know them and am comfortable with them,” he explains. “I can tune the room for statics and anomalies, but at the end of the day, I know that no matter what I do, my mid- and top-end are going to be honest. That’s what the V8s are―brutally honest speakers. The V8s just sound fabulous. I trust them, and I’m confident in my work because of them.”

Before selecting KRK, Tubbs was a dedicated user of another industry standard brand of studio monitors. He was encouraged by a friend from Gibson [parent company to KRK] to give the V-Series a try, and it wasn’t until Tubbs heard his own soloed tracks for a session project through the V8s that he realized the difference KRK made. “At first, I didn’t want my world to be interrupted,” he explains. “I was so used to my old monitors, but when I soloed up my guitar takes with KRK, it was the first time I could hear how the mids actually sounded. They were ridiculously natural. As a guitar player, the mids are my whole world, so the second I heard them, I knew I was going to have to make a switch to KRK. Since then, I’ve seen a lot of people switch to KRKs solely because they knew if I left my previous brand for them, they must be very good. KRK is really crushing it.”

An Industry-first in Pro Audio, Limited-edition Artist Signature Release

Designed to Highlight the Legendary Producer’s Signature Style, the CLASSIC 8ss Provide Iconic KRK Sound Quality

Building off the esteemed CLASSIC line of studio monitors, KRK delivers an industry first in pro audio with the new limited-edition signature artist release, the KRK Scott Storch CLASSIC 8ss. Designed in collaboration with the legendary Producer whose work has been featured on eight GRAMMY-winning albums, these eight-inch studio monitors offer all the features that have cemented the CLASSIC 8 monitors as Storch’s speaker of choice. Limited to only 500 pairs, each CLASSIC 8ss―aka Scott Storch model―offers a distinctive gold chrome electroplated front baffle, as well as Storch’s logo and signature, making it a unique solution for any professional engineer, mixer, and/or Scott Storch fan.

“For years, the KRK CLASSIC 8 monitors have been essential to my artistic music-making process,” says Scott Storch. “To now have personalized versions of my favorite studio monitors is an exciting venture for me. Designing these monitors has been such a cool experience―one that you don’t often see happen. I’m honored that KRK chose me for its first-ever artist collaboration. I can’t wait to see everyone rocking the Scott Storch CLASSIC 8ss monitors.”

“We are excited to launch our first artist signature series model―and with none other than Scott Storch, an innovator in production and a legend in the music industry,” says Sterling Doak, Senior Director of Marketing for Gibson Brands. “Scott has consistently been supportive of KRK. Between his initial adoption of the original CLASSIC 8 models in his studio and serving as a mentor for the KRK Kreator Classic, Scott’s partnership with the Gibson family has been a significant one. Now, the KRK Scott Storch CLASSIC 8ss allow us to showcase Scott as a marquee artist. This signature model was designed with Scott to emphasize the eccentric, unique flair that brought him to the level of notoriety he has today.”

With a shimmering gold chrome faceplate replacing the black on the monitor’s front baffle, Storch’s personal style shines throughout the CLASSIC 8ss. Storch’s signature sits in the top right corner of the front panel, while the rear panel features a Scott Storch logo—complete with his iconic sunglasses―along with his signature, making it a truly unique sound solution, for any studio or space looking to elevate the vibe and aesthetic.

While these iconic monitors differ from the original CLASSIC 8 models in a purely visual way, they include all the features that have made this model Storch’s personal monitor. Built on KRK’s legacy of sonic accuracy and performance, the CLASSIC series incorporates over 30 years of innovation, borrowing concepts from the brand’s previous lines.

The new CLASSIC 8ss is an active (self-powered) two-way studio monitor that utilizes a one-inch textile soft dome tweeter paired with an 8” Glass Aramid Woofer. The built-in power amplifiers provide a total of 100 watts of power, with a 75-watt amp driving the woofer and a 25-watt amp for the tweeter. The CLASSIC 8ss defaults to a new flat frequency solution for more critical listening and more accurate mixes. With the optional ability to engage the +2 dB KRK Bass Boost, this new solution provides the enhanced bass response and sound that music creators have loved for years.

The new KRK Scott Storch CLASSIC 8ss Studio Monitors are available now as a limited run of 500 pairs, and retail at $299 per speaker. Please visit an authorized KRK dealer or www.krkmusic.com for more information. Explore the new KRK Scott Storch CLASSIC 8ss at: https://www.krkmusic.com/Studio-Monitors/SCOTT-STORCH-CLASSIC-8SS.

PV Nova Calls on the KRK V-Series 6 Studio Monitors to Provide Authentic Audio for his Mixing and Monitoring Needs

With a career propelled by the power of YouTube, French Musician and Producer PV Nova has long utilized the Internet and social media as a way to highlight his talents. Surrounded by music as a child, PV was first introduced to the art by his father, a guitarist, and his mother, a pianist, singer, and fan of classical music. After learning the piano himself, PV was a proud amateur musician but never anticipated turning the hobby into his career. It wasn’t until the YouTube videos he shared of himself performing gained traction, with hundreds of thousands of views each, that he realized the reality of this path for him.

Since his YouTube success, PV has garnered an influential online career, popularizing music writing and editing. He prides himself on his educational videos, teaching upcoming artists how to produce tracks in multiple genres while keeping the content fun and humorous. PV has also called on his digital finesse for his creation, Internet Orchestra. Featuring 500 musicians, Internet Orchestra is the world’s largest live performance webcast, offering supercharged and thrilling concert experiences to at-home viewers everywhere.

For these ventures, PV makes the magic happen from his new home studio in Nantes, France. Although smaller than his previous space, PV still requires the accuracy and frequency response of a professional studio. This is accomplished with a pair of KRK V-Series 6 Studio Monitors, which he uses for mixing and monitoring. “I’ve been a fan of the Gibson brands for quite a long time now, and I was eager to learn more about KRK,” he shares. “When I decided to build a new home studio, the timing felt perfect. The power of the V6s is perfectly adaptable to my new smaller space. I had a pair of studio monitors that cost four times the price of KRKs when I lived in Paris, and yet their sound quality was not four times better!”

Finding a compatible monitor for his studio was crucial to PV, who understands the critical role monitoring plays in the mixing process. Between his online work and his recorded projects, PV expects authentic replication and clarity for all his music. “It is extremely important that the sound you hear when mixing reflects what your audience will hear,” he explains. “I play and record music every day in my home studio, whether it be pop or rock songs, orchestral music, or electronic tracks. The V6s offer a good response along the entire frequency spectrum.”

When he’s not in the studio, PV loves performing and is often on the stage playing for live audiences across France. Here, he finds himself calling on another Gibson brand product: the Maestro Original Collection guitar pedals. Ideal for his rock-centric tracks, PV particularly enjoys working with the Fuzz-Tone FZ-M and Ranger Overdrive. “My pedalboard is always with me on stage, so I can adapt my level of drive and distortion,” he shares. “The Fuzz pedal has such a unique and powerful sound, and I like to use the Overdrive on its low setting to add a bit more warmth and bite to my guitar sound. They’re simple to use and have allowed me to find the exact sound I was looking for with my music.”

Currently on a break from touring, PV has been full-force in the studio. With new music and online content constantly in the works, he looks forward to his continued use of KRK. “I’ve been livestreaming recording sessions on Twitch, and the monitors have been perfect for that,” he shares. “Not only sound-wise either; the yellow cones of the V6s bring some welcomed bright color to the otherwise black gear in my studio. KRK offers a very good quality-to-price ratio, and the V6s have been the perfect addition to my studio.”

Mixer Gareth Johnson Depends on the Portable Monitor System as a Reliable and Mobile Mixing Solution for Teenage Cancer Trust Fundraiser

Royal Albert Hall was once again the site for the annual concert series benefiting the Teenage Cancer Trust, an organization providing unique care and support for young people living with cancer. Featuring acts such as Roger Daltrey of The Who, Underworld, Wet Leg, and Jake Bugg, the task of mixing audio for the six-day-long event was given to Producer, Mixer, and Writer Gareth Johnson. Although Johnson has been mixing the Teenage Cancer Trust shows for nearly 20 years, this was the first time he relied on a brand-new solution: the KRK GoAux 3 Portable Monitor System.

“I originally wanted to try the KRK GoAux because they’re a complete reference monitor system that can fit in a bag,” Johnson explains. “A portable solution is great for me since I’m always moving between live venues, my professional studio, and my home studio. Plus, it’s good to have a system where I can have a quick listen to what was recorded from the live show. The KRK GoAux does just that. They are extremely portable, and let me know what has been recorded so I can construct mixes to check that we have everything we need.”

Mixing accurate audio for the Teenage Cancer Trust shows was crucial for Johnson. Each performance had multi-track and multi-camera recordings for live albums and other content to support the charity. “It was a full production,” says Johnson about the gigs, “and it was at one of the world’s most iconic venues with some of the biggest artists from around the globe. There wasn’t much free time because it was all systems go right from the start. The GoAux made my job so much easier; they were simple to set up, super light, and did their job perfectly.”

“When I was backstage, I was immediately able to plug the GoAux in and get a rough balance,” Johnson continues. “The KRK GoAux over-delivered in how easy they were to use and balance tracks. I streamed a 128-channel full concert straight from my laptop via the GoAux’s Bluetooth capabilities. There was no problem with bandwidth at all. When I got to my main studio and opened my mix, it didn’t sound wildly different.”

The GoAux’s features and capabilities proved equally useful backstage. “Obviously you can use headphones, but it was great to have something that I could just set up in a room and have other people listen in as well,” says Johnson. “I’ve used other portable monitors before, but none of them were as small as the GoAux. It would’ve been great to have access to something like this, at this price point, when I was first starting out. It’s so cool that these are available and exist now.”

Although the KRK GoAux weren’t available when Johnson began mixing, the now retired KRK VXT Series Studio Monitors were the first pair of professional monitors he ever owned. “As such a long-standing brand—one that I’ve had experience with for years—I’m happy to know that KRK continues to provide innovative products,” he says. “The GoAux are such a reliable and portable reference system. For a fast turnaround and high-pressure environment like the Teenage Cancer Trust shows, the last thing you want is gear that is going to let you down. I was so happy with how the KRK GoAux worked out for this project and look forward to using them on my next gig.”

KRK ROKIT and CLASSIC Monitors Provide Versatility for Production and Mastering of the Rapper/Producer’s Newest Releases

Rapper, Recording Artist, and Producer LOCS first found his passion for music in college. Between writing, producing, and touring, he has since fully immersed himself in everything the industry has to offer, looking for new ways to advance his career. After landing a number of impressive sync placements, including features on HBO Max’s “The Hype” and Freeform’s “Grownish,” LOCS turned his focus to his latest project: his new single, “Good Time.” As with all his past releases, LOCS once again relied on KRK studio monitors, which most recently included the ROKIT 7 G4 and CLASSIC 7 monitors.  

“KRK has been all over my releases since I began making music,” LOCS explains. “The producer I worked with when I first started had KRK ROKIT 8s in his studio, and that was the first time I really got to hear them in a professional setting. Now that I’m working on new music, I’ve been using my ROKITs and CLASSICs in my studios in Los Angeles and Atlanta. They were especially useful on my most recent EP, ‘Arrival,’ which I released last September. Having the ability to use both lines has been a game changer for me.”

This versatility is key for LOCS, who prefers to rely on each of his sets of monitors for different applications. “If I was doing just production, I would use my KRK CLASSIC 7s,” he says. “Those studio monitors are perfect for when I want to listen to straight instrumentals. They are a little bit warmer and provide great coloration. For things like mixing and mastering, the KRK ROKIT 7 G4s are my go-to. I get a really nice, neutral tone from these speakers, which is why they are ideal for my mastering, mixing, and as an all-around solution. Having the option to switch back and forth between these two lines has really allowed me to open up and get what I want out of my music.”

LOCS also has tested other leading brands for his workflow and says that the variety in sound afforded by KRK CLASSICs and ROKITs is something he can’t find anywhere else. “The KRKs have just been great,” he shares. “Nothing else has hit for me like the KRKs have; the sound they give off has become so natural and familiar. I see myself continuing to use the brand for a very long time.”

LOCS is so dedicated to the brand that he most recently added the KRK GoAux Portable Monitor Solution to his setup. As someone who bounces between his studios in Atlanta and Los Angeles, he says that a pair of mobile speakers was the perfect addition to his workflow. “The GoAux are definitely going to come in handy,” he adds. “I know I’m going to have them with me all the time because I love how they make it possible to work on the go. Since the GoAux are specifically designed for mobile production, I know that I’ll be able to keep my music quality where I want it, no matter where I am.”

As LOCS continues putting out music and traveling across the country, his KRKs will continue to remain by his side in the studio and on the go. “These GoAux are perfect for me,” he declares. “I can only imagine what kind of convenience they’ll provide. All my work in the studio this past year has been with ROKITs and CLASSICs, and I can’t wait to add the GoAux to the mix. For me, there’s no reason to have any other speakers―the KRKs serve all the purposes that I need. Just know that when I have music coming out: if it’s made by me, it’s made with KRK.”

Listen to LOCS’ latest single, “Good Time,” on Spotify, Apple Music, or any major streaming platform. Plus, stay up to date with LOCS on Instagram and Twitter.

The Portable Monitor System Offers Consistent and Accurate Audio in the Studio and on the Road

Italian Musician, Guitarist, and Producer Lapo Consortini’s career started with a computer science engineering degree and a passion for music, and has since turned into an impressive résumé of skills for studio and stage productions alike. Consortini has molded a unique position for himself in the music industry, relying on his transversal knowledge of engineering, songwriting, recording, and production to establish connections and participate in various live and recorded projects. With such a diverse lineup of work, Consortini recently turned to the KRK GoAux 4 Portable Monitor System for consistent and accurate audio, no matter the location or task.

“I am always on the go for projects, covering a lot of artists and different musical genres,” Consortini explains, “and the GoAux 4 are easing my workflow immensely. Within seconds, I can easily set up the speakers and establish the ideal sound using the integrated ARC system. They also work easily with a laptop and provide good sound pressure and full-range fidelity, even in a small hotel room, with no compromise on audio quality. It’s incredible how they sound in lower ranges without having to set undesirably high volumes.”

The GoAux are a welcome addition to Consortini’s setup, assisting him on various editing and mixing projects. Most recently, he prepared the arrangements, programming, and backing tracks for Italian pop band Modà’s current tour, which features a live orchestra accompaniment. He has also arranged and produced numerous jingles for various Italian radio stations, in addition to recording and mixing the latest single for Italian singer-songwriter Paola Turci. “I’ve been very satisfied,” Consortini says of the KRK GoAux. “The monitors keep me safe in the reviewing process of all my mixes. When you reach that perfect connection with the sound of your speakers, you know you can expect accuracy and transparent audio from all your music.”

While Consortini only recently got his hands on the GoAux, he has long been familiar with KRK as a brand. “I’ve been using KRK for over ten years now,” he says. “Throughout my career, I have tried many different KRK lines and series, from the ROKITs and retired VXT series to the original Exposè E8Bs. Even when I was first starting out, I would notice the brand throughout Italian recording studios thanks to the bright yellow cones. You can immediately recognize a KRK in a jungle of speakers. These days, I’m hoping to upgrade my studio setup with a new pair of the KRK V-Series 4 Studio Monitors, which provide a very comfortable listening experience compared to other brands I have tried.”

Similarly, the KRK GoAux stand out in comparison to Consortini’s previous, industry-standard mobile studio monitors. “These aren’t my first pair of mobile speakers, but they are the best I’ve seen,” he explains. “Thanks to the minimal and simple connections, foldable stands with inclines, and custom-made carrying bag, the KRK GoAux are ideal for on-the-go work. The GoAux are the perfect size to use on a small surface with my laptop and provide a good and definitive sound while also allowing my colleagues to listen to what I’m producing. I can’t wait to take the KRK GoAux on tour with me.” With Consortini hitting the road alongside Modà and Italian Singer/Songwriter Marco Masini, he is most excited about the benefits afforded by the simple and sleek design of the GoAux. “I am not afraid of complexity; I like my gear to have many features,” he finishes. “Being a modern producer forces you to obtain optimal results in a short time, so I love finding complex yet easy-to-use solutions to help with my work. The KRK GoAux 4’s perfect balance of robustness, simplicity, and versatility provides exactly that.”