Brand’s monitors, subwoofers, and headphones deliver quality results while mixing for both music and television

MIAMI, DECEMBER 3, 2024 ― Rudy Bethancourt is a GRAMMY^® and Latin GRAMMY^®-winningaudio engineer, music producer, and show programmerwith over 25 years of experience in the industry. His impressive portfolio includes collaborations with renowned artists such as Ricky Martin, Shakira, Jennifer Lopez, Scott Stapp, Carlos Vives, Kany Garcia, Carlos Rivera, Ivy Queen, Ricardo Arjona, Lorde, and Fall Out Boy. Bethancourt’s musical journey began in Guatemala, where he initially made his mark as a musician and band member. His passion led him to also explore the fields of engineering and production.

Bethancourt recently decided it was time to enhance his audio expertise even further by making the transition from stereo to surround at his new Dolby Atmos recording studio, Nine Lives Immersive. To accommodate the immersive projects on which he works, Bethancourt invested in three KRK V6 Series 4 Powered Studio Monitors, as well as ten V4 Series 4,and one pair of V8 Series 4. In addition to his trusted monitors, Bethancourt has two pairs of KRK KNS 8400 Studio Headphones, an S12.4 Powered Studio Subwoofer, and two pairs of a previous generation of V8s.

Nine Lives Immersive features a 9.1.4 Atmos configuration with four monitors mounted on the ceiling, six on stands on the ground, and three on his desk in a left, center, and right arrangement. “The V-Series already sound good on their own; they are transparent, which is important for Atmos,” he explains. “The monitors can adapt to different styles of music, and when you pair them with the S12 Subwoofer, you can get great low end. Even if you don’t use the sub, the V-Series monitors still sound excellent.”

In his studio, Bethancourt embraces transparency as a fundamental principle of his artistic workflow. “One thing I love about the V8s specifically is the low-end extension you get without a subwoofer,” he shares. “They are very straightforward sounding and are overall amazing monitors. There is something about the stereo image that you get when you place them in the perfect position—just wow. Also, when you bring the loudness level down while mixing, the monitors translate well in that low volume environment.”

In addition to his KRK monitors, Bethancourt tunes in with his KNS 8400s headphones. The sound quality of the KRK headphones ensures that every detail of his tracks comes to life, allowing him to immerse himself fully into his creative process. “What I found with the KNS is that they have a more natural response,” he explains. “They are great for tracking vocals because they have this little curve in the mid-highs with nice high end and little low end. Overall, they have a very flat frequency response.”

“Most of the broadcast mixes I worked on for the TV Show ‘La Voz US, Tu Cara Me Suena’ and the Celia Cruz tribute performed by Jennifer Lopez for the American Music Awards, plus multiple mixes for various Latin GRAMMYs live performances, were created with KRK V8s,” he explains. “I also recorded, vocal engineered, and mixed Season 2of theHBO show called ‘A Tiny Audience,’ for which I used the V8s as well. The transient response of the V-Series is so good; when you are in a big room, you can reach 85 dB, and they sound terrific. When you have a smaller room, like mine, there’s a different dB range, so you have to mix at lower volumes. What I like about the V-Series is that the transient response can continue at both the low and high volumes when I push it. These monitors give me that consistency in detail and allow a mid-range that most other speakers can’t.”

In addition to his exciting TV projects, Bethancourt utilizes his KRKs to assist fellow musicians in transforming their music from stereo to the immersive world of Atmos. “I have been using my Dolby Atmos room a lot to help friends who don’t have the budget to translate their old catalog into Atmos,” he shares. “I have also been working with various independent artists to bring their discography up to Dolby specifications because it is so new and an extra cost for them.”

Bethancourt is a longtime KRK user and has worked with the brand for over 15 years. He has been a part of the KRK/Gibson family since 2007 and expresses his gratitude for the incredible support he’s received from the company over the years. “They are like one big family,” he says, highlighting the close-knit community he’s found within the brand. Looking ahead, Bethancourt is excited to keep pushing boundaries, utilizing his trusted KRK monitors, subwoofers, and headphones as he delves deeper into the innovative world of Dolby Atmos.

ATLANTA, NOVEMBER 12, 2024 ― Omar Walker, better known as Major Seven, is a distinguished multi-platinum record producer, songwriter, musician, and visionary whose music profoundly reflects his Jamaican culture. His extraordinary journey in the music industry began under the mentorship of R&B legend Keith Sweat, culminating in a pivotal moment when he produced “The Devil Is a Lie,” featuring Jay-Z, the lead single from Rick Ross’s sixth studio album, “Mastermind.”

Throughout his illustrious career, Major Seven has also collaborated with an impressive range of artists, including Future, Rihanna, DJ Khaled, and DJ Snake, earning numerous Gold^® and Platinum^® certifications from the RIAA. His unique approach to music production, blended with his talent and commitment to collaboration, led to the creation of “The Major7eague,” a global collective of dedicated and gifted creatives.

Major Seven is involved in several exciting projects across the Caribbean, particularly in Jamaica and other islands. For these, he relies on his KRK GoAux Mobile Monitoring System and KNS 8402 Studio Headphones. He has alsorecently acquired ROKIT Generation Five Studio Monitors, the newest addition to the brand’s product line. “KRK speakers are very integrated into Jamaican studios since the color scheme is similar to the Jamaican flag, which is black, yellow, and green,” he says. “They are great quality, versatile speakers. My KRKs are always able to provide a creative solution to any problems I may have.”

In partnership with Vas Productions, Major Seven is also working on a fusion project of hip-hop and reggae that represents his newfound purpose. “Since I can set them up anywhere, the KRK GoAux have been crucial to this project; they are great because I can quickly catch a vibe, prepare ideas, and get things ready for the artist,” he explains. “I’ve traveled to several places around the world for this project, and I always have the speakers with me, whether I am in Prague, London, Jamaica, or somewhere else. The speakers came in handy to get that studio feel, especially when collaborating with an artist on the road. I always want to have that playback available and get the people who are in the room engaged. With the KRK GoAux, I can do that everywhere, which makes them a valuable asset.”

For Major Seven, the quality and portability of the KRK GoAux are especially important on this project. “The way you can just pack the speakers into the case is key because they don’t take up too much space. I’m one of those people who is always overpacking. I don’t know how long I’m going to end up being away, or if I’ll end up staying longer than expected. So, to be able to fit the GoAux in my suitcase and not make my luggage overweight is amazing.”

As someone who appreciates a good aesthetic, Major Seven was also drawn to KRK’s iconic yellow cones. “The design itself is cool,” he adds. “I’m all about colors, lighting, and vibe, so the overall look of the speakers is inspiring.” Thanks to his KRKs, Major Seven can continue to produce studio-quality work even when on the go. “The GoAux are perfect for working on the road and being able to emulate some of that feeling of being in the studio,” he adds. “They sound great, and they’re even louder than expected. I also appreciate the fact that you can angle the speakers for different listening positions.”

According to Major Seven, the album, titled “Life of a Ghetto Yute III,” “seamlessly blends the consciousness of reggae with hip-hop’s raw essence, vividly portraying life in the ghetto. The album captures the spirit of Rasta culture and reggae, with tracks like ‘Pray’ and ‘Life of a Ghetto Yute’ offering rays of hope, while ‘City of Sin’ and ‘96 Degrees’ explore the grittier aspects of ghetto life. Featuring contributions from reggae legends like Sizzla and Beenie Man to hip-hop’s Rapsody, this album is a rich tapestry of voices and narratives, inviting listeners on a profound journey through the heart of the ghetto.” “Believe,” featuring dancehall artist Prince Swanny, is the first single to be released off the album and is available to listeners now on all major streaming platforms.

The KRK KNS Headphones have also been a game changer for Major Seven throughout his production process and during sessions with other artists. “I’m really impressed with the headphones. They’re incredibly comfortable, allowing me to work for long hours without any strain on my ears while delivering precise audio detail,’ he says. “The isolation is excellent, which is essential for the recording process. Artists I’ve worked with also enjoy using them and appreciate the clarity the headphones provide.”

In addition to being well-known in the music production world, Major Seven takes pride in his entrepreneurial efforts. He serves as an Owner and Director of Partnerships for WAVS, an innovative music-tech platform that transforms the way sample creators monetize their work. WAVS curates an exclusive collection of high-quality, royalty-based samples from the top five percent of creators. By offering this resource to beatmakers, songwriters, and producers, the company is setting a new industry standard for both creative empowerment and workflow efficiency. “To be able to get those kinds of wins with the people who you really believe in is very impactful and meaningful,” he shares. “To be able to also mentor them and share what I know and what I’ve learned in the game to help them reach certain goals faster has been an incredible and fulfilling experience.”

Major Seven continues to be committed to blending cultures and genres that reflect his versatile creativity and unwavering vow to excellence. His career strategy is rooted in meticulous craftsmanship, sustainable growth, and the value of networking. With his passion project, “Life of a Ghetto Yute III,” expected to be released next year, he continues to shape the landscape of music production with his KRKs by his side.

LOS ANGELES, OCTOBER 15, 2024 ― When it comes to audio mastering, Howie Weinberg might know a thing or two. With over 8,600 mastering credits and more than 90 billion streams, 21 GRAMMY^® Awards (58 total nominations), three TEC Awards, two Juno Awards, and a Mercury Prize on his resume, the mastering engineer is a legend in his own right. Having worked with some of the biggest names in music across nearly every genre, from hip-hop, alternative, and R&B to rock, pop, heavy metal, and EDM, Weinberg’s name is synonymous with iconic albums like Nirvana’s Nevermind, Madonna’s Music, and Beastie Boys’ Licensed to Ill.

Today, after more than four decades in the industry, Weinberg is still doing what he does best, from his professional home studio in Laurel Canyon, California. “We’re in the heart of an eclectic artistic area, there’s a big recording scene here, and we’re surrounded by a lot of other famous creatives,” he explains. “The house was an old hunting lodge, built in 1910; it has a lot of energy and a great vibe. I have a personal studio here that’s as nice as any commercial space I’ve worked in, along with two other studios on the property. It’s very California.” 

No matter where he sets up shop, Weinberg has continually called on KRK monitors throughout his career, today relying on KRK V-Series in the studio. “I was one of the original KRK users; when they first were released, the founder himself introduced me to the original 7000 Series speakers,” he says. “KRK has always been the number one speaker for audiophiles to have in their kits. There was something magical about that original set, and the KRK engineers did an amazing job of recreating that sound in the V-Series. Those V8s sound so good.”

Weinberg appreciates the compact nature of the V-Series for client listening situations. “Artists can sometimes get overwhelmed by gigantic monitors, so it’s good to have a nice, tight option like the V-Series,” he explains. “These monitors sound perfect; they’re not tiring, and they have really good imaging. I like that they tell me the truth on all frequencies. They have well-made amps, so they can also play super loud when people want; they can crank.”

In addition to his current eight-inch V-Series 8 (V8) monitors, Weinberg also has experience with the six-inch (V6) and four-inch (V4) models. “They are really good speakers that hit really hard,” he adds. “They get incredible bottom-end. You can always get them all bright in the mids, but to get something really big, with huge low-end, is special. I also keep a pair of the V4s at a small, remote beach house, so I can check on records while I am there, and they’re fantastic.”

For times when Weinberg is on the road, he calls on the KRK GoAux Mobile Monitoring System. “The GoAux are cool because people want to travel and still have a set of references wherever they go,” he says. “Whenever I go away anywhere, I just pack ‘em up, and off we go — and they sound great. My assistant finishes all our projects, and if I’m not in the studio, he can still send the files for me to listen to with the GoAux. Those monitors are fantastic for that application. I also use them when I am visiting with clients, which makes it possible for the artists to hear their music in different environments — whether it’s in my professional studio or their living room.”

While designed for mobile applications, Weinberg also uses the GoAux as commercial speakers in a small programming room. “They are just the perfect little speakers and are very well-priced; unlike traditional consumer monitors, the GoAux are not overly done,” he continues. “They can be used both wired or wirelessly via Bluetooth, they’re not heavy, and they have a professional sound. KRK really engineered these things to pack a punch, especially considering their small size.”

Weinberg further appreciates the GoAux for general listening applications. “I don’t get to go on vacation as much as I would like to, but when I do, I bring the GoAux with me so I can listen to music wherever I am,” he adds. “They come in a nice case, so they are easy to pick up and go. They set up easily as well, and they’re a great alternative to headphones.”

Like many of his colleagues, Weinberg keeps an array of studio headphones on hand, including the KRK KNS 6402 Headphones. “They’re a really good reference source,” he says. “They’re not overly engineered, so they sound as good as higher-end consumer options, which I like because a lot of professional headphones have too much sound. The KNS are very accurate in terms of the bottom and top end; and, like the GoAux, they’re not very expensive. Overall, I think they’re just cool headphones. I own a lot of headphones, and the KNS are among my go-to’s.”

As a longtime KRK user, Weinberg has seen the company’s evolution and product development firsthand. “I like KRKs because they’re very flat and even; I’m really hooked on these speakers,” he declares. “Every product KRK (Gibson) makes is phenomenal; super high-end and very well thought out. They translate very well to all the work I do, in or out of the studio, which is the key to a great speaker. The company’s customer support is also fantastic. Anytime I need a new product, or they make a new product that I want to try, they send it over for me to try out. Not every company will do that.”

In addition to the Nirvana, Madonna and The Beastie Boys, Weinberg has also been credited for his mastering work on albums with icons such as Prince, Yoko Ono, Metallica, Eddie Van Halen, Miley Cyrus, Mariah Carey, Sinéad O’Connor, Foster the People, The Black Keys, Smashing Pumpkins, Gary Clark Jr, Def Leppard, Run DMC and The Killers, among countless others. For a full recap of Weinberg’s work, visit his Spotify playlist: https://open.spotify.com/playlist/2Fot465ytwIt82sKqBxrfo.

OLD TAPPAN, NEW JERSEY, SEPTEMBER 26, 2024 ― Array of Hope is a faith-based organization that creates and produces transformative events, films, and music for Catholic parishes and dioceses.With a mission to “reveal the truths of faith,” Array of Hope leaders believe that music is a powerful conduit for delivering faith to all generations. In an effort to deliver the best possible content, Array of Hope Founder and Executive Director Mario Costabile relies on KRK ROKIT 5 Powered Studio Monitors to elevate the organization’s productions.

Implemented as reference monitors across all the facility’s studios, the ROKITs provide the power, accuracy, and sonic ability necessary to produce professional-caliber content. “The ROKITs are our principal playback speakers,” he shares. “The KRKs have the most punch of any monitor out there, and I really like the way they sound. They’re small, they’re tight, and they can cover everything we need. The ROKITs have great solid bottom, clear top end, and an exceptional volume capacity. In fact, the ROKITs put out a lot of volume for the size of the monitors. They are also modestly priced, so I think they are a great option for people.”

Costabile first discovered KRK monitors about six years ago and has continually used them throughout the organization’s studios. “The KRK ROKITs are our principal studio monitors,” he adds. “Every time we build a new mixing space, we add in KRKs. We have acquired about half a dozen pairs now and have placed them in our video playback studios as well as our Logic mixing rooms for referencing. When we get them, we usually just need to adjust them once — to get a flat sound — and we’re good to go after that.

“I think the ROKITs also look cool,” he continues. “While the primary reason I selected them was for the sound, they are unique-looking speakers. The colors and design truly make the KRKs stand out compared to a lot of other monitors.”

Costabile was a successful music and film producer for over 40 years before co-founding Array of Hope in 2010. He has produced content for film, television, and the recording industry. Among the notable organizations for which Costabile has worked are MTV, Sony Music, and Universal Music. As the Executive Director of Array of Hope, Costabile has helped the organization become a leader in evangelization throughout the country.

Array of Hope accomplishes its goals through each of its specific ministries, which include The Array of Hope Concerts and retreats, AOH Music, The Array of Hope Channel and app, The Reason for Hope Podcast, and Array of Hope Social Media Outreach.

The Array of Hope Concert is a wide-ranging live performance that features multiple musical acts, motivational speakers, and thought-provoking film presentations. AOH Music is the organization’s band, which creates praise and worship music to play for the community. The Array of Hope Channel and app is a global video destination where everyone can find meaningful and inspiring films of faith, hope, and love for the entire family.

From in-person concerts to content that is distributed globally, the organization continues to share the Christian faith through high-quality media and events. The KRK ROKIT Studio Monitors help Array of Hope bring the faith-based community together through music television. 

MIAMI, SEPTEMBER 12, 2024 ― DJ, Producer, and Multi-instrumentalist Mike Cerda has been in the music industry for over 25 years. He has worked with various artists and bands such as Shakira, Axwell & Ingrosso, and ChocQuibTown, among others. Cerda’s collaborations with GRAMMY^® and Latin GRAMMY winners, in addition to his role as Musical Director for Maluma, have allowed his influence to reach international heights.

To ensure clear and consistent sound when creating beats in his Miami studio, Cerda relies on the KRK V-Series V6 Powered Studio Monitors, an S10.4 Powered Studio Subwoofer,and KNS 8402 Studio Headphones. For times when he’s crafting arrangements on the road, Cerda calls on the KRK GoAux Mobile Monitoring System.

“I think the most important thing to consider when choosing a pair of speakers is whether they reflect what’s happening and provide transparency of the audio,” says Cerda. “There are a lot of brands that either underrepresent or overrepresent the sound. For me, KRK translates my ideas in the mix exactly how I want.”

Cerda also notes the importance of how his new KRK Subwoofer complements his latest V-Series studio monitors. “I love the combination of my V6 monitors with the 10-inch sub,” he shares. “Even at very low volumes, there is still a great bass presence that translates well in my mixes. Without the sub, I would have to work with higher volumes just to feel the bass.”

A longtime user of KRK, Cerda acquired his first pair of V-Series monitors from a friend and says it was the brand’s aesthetic that initially drew him in. “The appearance of the KRKs is great; I love the yellow cones,” he explains. “The way they look against the brushed metal finish of the faceplate makes the monitors seem almost futuristic.”

Cerda also credits the flexibility of the KRK V-Series as being an important benefit. “It is cool that you can adapt the speakers to any environment that you are working in,” he adds. “They are very easy to use; you can tune them to any room, and they will sound great.”

In addition to his monitors and subwoofer, Cerda praises his KNS headphones for helping him perfect his mixes. “I love the KRK headphones,” he adds. “They are excellent for mixing, but I also use them during recordings as a reference to check my mixes. When I am at my home studio, I use KNS all the time, especially now that I’m a new dad and need to keep the volume low at times.”

Cerda has spent a lot of time touring with Maluma and found himself frequently calling on his KRK GoAuxto produce on the go. “I did not want to have to be isolated in a hotel room, so I would carry my GoAux and use them as a reference when listening,” he explains. “With GoAux, I no longer have to make arrangements to find a studio while on the road; they are easy to travel with and get set up and provide me with a helpful tool for referencing productions and mixes on the go.”

Aside from the features of KRK products themselves, Cerda also finds that the team behind KRK has been instrumental to him. “The support I receive from KRK and [its parent company] Gibson is amazing,” he shares. “I love the Miami team; they are incredible and easy to work with. If I need help with my gear in any way, they are there for me.”

A proud Venezuelan who was born in Caracas, Cerda has been around music his entire life. His musical odyssey began with his grandfather’s influence, a guiding force that introduced him to the world of music. At the age of eight, he embraced instruments like trombone, trumpet, and saxophone, setting the stage for a lifelong passion. While studying geophysical engineering in school, Cerda started a rap/hip-hop band called Cuarto Poder. The band soon became mainstream in Venezuela, which inspired Cerda to switch to studying recording arts in school. Cerda found it enriching to learn the theory of music while getting hands-on practice at the same time.

Now, with a wealth of experiences from traveling the world, Cerda immerses himself in his latest projects. He fuses the captivating realms of house music with the diverse influences that have shaped his musical identity while also exploring unique sound and rhythm.

Songwriter Uses the Brand’s Monitors and Subwoofers in his Home Studio and On-the-Go

MIAMI, AUGUST 20, 2024 ― Music Producer, TV/Film/Musicals Creator, Songwriter, and Guitarist Jose Luis “Pepe” Pagan has had an ear for music from a young age. He was born in Argentina, where he first began his career in the music industry before moving to the United States 25 years ago. He has since worked with artists such as Marc Anthony, J.Lo, Chayanne, Thalia, and Sarah Lenore, among others.

In addition to being a music producer, Pagan also works in the TV, film, and musicals industries and is the creator and music producer of the Amazon Prime show “Melody.” The show follows 18-year-old Melody, who seeks to develop her musical career as a means of escape from her challenges at home. Pagan is also the co-producer for an upcoming musical about the life of Latin American Artist Sandro. The show honors the late Latin icon and will showcase the story of his life and musical career. 

For these projects, Pagan splits his time between his home studio and locations in Miami and Argentina, where he always has a combination of KRK solutions available. Included among these are the V-Series V4 Powered Studio Monitors and an S10.4 Powered Studio Subwoofer, as well as the legacy ROKIT 5 Generation 4 Powered Studio Monitors and 10S Subwoofer.

“I use the V4s a lot, basically for everything: when mixing, during the recording, and for completing all my music,” he says. “I love these speakers. When I go to Argentina again for my next musical, I will bring them with me. I travel everywhere with them because I like to always have the ability to reference on the spot.”

As a producer, Pagan previously found it difficult to get just the right level of vocals for his mixes, but the V4s have solved this problem with ease. “I was struggling a bit with finishing mixes, and I found that, despite being smaller speakers, they provide a perfect balance between all the frequencies that are really key,” he shares.

A longtime KRK user, Pagan first started with the brand’s iconic ROKIT monitors. “For general use, the ROKITs are incredible and very solid for their price point; they have great accuracy and bass response,” he shares. “The ROKITs are also an amazing option for entry-level producers.”

Pagan also entrusts his KRK subwoofers to deliver quality sound at his home studio. “I use the subwoofers to make sure everything is balanced. I have one in the center, which is an old KRK 10S Sub, and I have another one a little bit to the side, which is the new 10.4. The definition from the KRK subs is way better than any other subs I have tried. I really love them both.”

Pagan says that he finds the brand’s connection to its artists to be equally as important as the quality of its equipment. “I have been working with KRK’s parent company, Gibson, for a long time, close to 20 years, and their support has been incredible,” he shares. “I think the care Gibson gives to its artists is something incomparable. Of course, the craftsmanship of the brand also makes a huge difference. When you combine the artist relations and the quality of the instruments and equipment, it is something extraordinary. I have truly had a beautiful journey with Gibson/KRK.”

With such a long history with the brands, Pagan sees no end to his use of KRK gear, which he credits with having helped improve his workflow in a significant way. “My KRK gear has really changed the way I work when mixing, and they always seem to know exactly what I need,” he says. “I think that is something really special.” 

Lifelong KRK User Equips Latest Studio With the Brand’s Monitors and Subwoofers to Create Iconic Beats for Stereo and Dolby Atmos Applications

MIAMI, JULY 16, 2024 ― Five-time GRAMMY^® Award-winning Recording Engineer and Producer Jimmy Douglass has a prolific career spanning over four decades. Throughout his time in the music industry, Douglass has worked with renowned artists like Aretha Franklin, The Rolling Stones, and Foreigner, to contemporary performers such as Jay-Z, Justin Timberlake, Timbaland, Pharrell Williams, and many more.

As someone who lives and breathes music, Douglass has always felt the most creative when he taps into the feeling of the music. He says his goal is to create music that makes everybody in the room feel good. “Music is all about the vibe,” he shares. “Whether it’s rock, R&B, or soul, when you get that certain feeling, that is when it’s right.”

Douglass’ Miami studio consists of two stereo rooms and one Dolby® Atmos room, which requires gear that can withstand various musical applications. A longtime KRK user, his studio currently consists of a collection of V-Series V8 Powered Studio Monitors, Classic 8 Powered Studio Monitors,and S10 Powered Studio Subwoofers.

“KRK speakers can handle the levels required for hip-hop. I can blow them up, and they can really push that power out,” he shares. “They have tone even without a subwoofer and are nice and crisp sounding. I use them a lot in both my Dolby and stereo rooms.”

After nearly two decades of using KRK in his workspaces, Douglass knew it was the only brand he would trust when it came time to build his Dolby Atmos studio. “I had about 20 KRK monitors in my inventory, so I decided to use those to build my Dolby system, and I love how you really get to hear the definition and the distance in the surround production,” he says. “Another advantage of KRK is that I can move them around with ease. I have them on stands around the room, which makes it a portable configuration. I can break it down at any time, and I don’t have to commit. To me, that is the beauty of that system.”

Douglass also appreciates the aesthetic appeal of the KRK brand. “One of my favorite elements of KRK is the easily identifiable color of those woofers; the yellow really stands out,” he adds. “My KRKs also take punishment well. Durability is a major consideration when using a speaker, especially doing a lot of hip-hop with all the extra energy that is being pushed out,” he adds.

Douglass has had a long-standing relationship with KRK since the early 2000s and has used his KRKs on a few recent projects, and he does not plan to stop anytime soon. “I was lucky enough to get to redo Justin Timberlake’s catalog in Atmos,” he says. “My KRKs were very instrumental to that project. The songs sound amazing when you get to hear them on the speakers in the immersive environment. I tried to listen back on my phone in binaural, but I was not getting the spatial dimension that I was experiencing from listening through speakers. So, those were very important throughout the whole process. Whatever projects I have coming down the line, I am working on them with my KRKs.”

Jimmy Douglass continues to display his versatility by remaining current while drawing from his years of experience. He is best known for bringing unconventional techniques into the studio and encouraging artists to transcend genre restrictions. Douglass is credited with bringing a raw edge to sound and specifically bringing a heavy funk bass sound into rock music. His hard work and immense talent have carved a place for him among some of the most respected engineers and mixers in the world.

Rodriguez Uses KRK ROKITs as Reference Monitors for his Podcast “El Poder de la Música”

MIAMI, JUNE 24, 2024 ― Podcaster Humberto “El Gato” Rodriguez’s “El Poder de la Música” podcast focuses on all the intricacies of music, from the science behind production to new and emerging artists. His show, which translates to “The Power of Music,” can be found on all major podcasting platforms — such as Apple Music, Spotify, and iHeart Radio.

“El Poder is a reflection of my love for music and the type of musician I would want to be had I become one,” shares Rodriguez. “I started this podcast six years ago with the vision of having a platform to discuss music with musicians, creators, engineers, producers, and anybody else who has anything to do with music, even from a scientific point of view. It has been a real treat to do what I love and be around great music and musicians.”

To bring his podcast to life, Rodriguez knows the gear in his studio needs to be equally as great as the equipment used by the artists he interviews. The KRK ROKIT 7 G4 Professional Bi-Amp Powered Studio Monitors were an easy choice. “I use my KRKs for everything,” says Rodriguez, who has the White Noise editions. “I use them for the podcast, which I air on audio and video platforms, and to listen to music; I have also produced a couple of songs with them.”

While there are many features that Rodriguez appreciates about his ROKITs, there are a few that stand out most. “One thing I really love about my KRKs is that the bass is in the front,” he says. “I don’t have a lot of room in my studio, and I needed a sound that was accurate and reliable. If the bass is too close to the back, the sound bounces and isn’t accurate. I love bass, so it was important for me to find a speaker that allows it to sound clean and precise.”

Rodriguez also credits the control functions of the monitors as being among his favored features. “I like the on-board LCD visual EQ,” he adds. “At first, I didn’t know that you could have presets of EQ, but now I love that function because I can keep the speakers flat and use my presets as necessary. I also love the standby feature. If I forget to turn off the speakers, it goes into standby mode and shuts itself down.” 

As someone who prides himself on being genuine, Rodriguez was happy to find a pair of speakers that he trusts. “I am very honest in my personal life and even when I go on air for my radio show or podcast,” he explains. “So, I need real gear and KRK for me is real. There are other well-known brands that might look very cool, but they are not authentic. I like accuracy and an honest sound; the KRK ROKITs are that for me.”

A staple in the pro audio industry for nearly 35 years, Rodriguez started his career working in a recording studio at a radio station in the Dominican Republic, which he credits as the driving force behind his connection to music. Rodriguez studied journalism in Colombia and after moving to the United States, became a well-known on-air personality. He has hosted programs on Spanish-language stations in the Dominican Republic, Colombia, and Florida. He continues to follow his passion for music and considers himself a communicator through radio and television.

As a longtime fan of Gibson, Rodriguez has a strong relationship with the brand and KRK. He works closely with Cesar Acevedo, director of entertainment relations for Latin America at Gibson. “Cesar is like a brother to me,” shares Rodriguez. “Gibson is truly like my family, so working with KRK just made sense.”

Christian “Tian” Jimenez Uses KRK ROKIT Monitors and Subwoofer While Producing and Mastering a Variety of Projects

MIAMI, MAY 9, 2024 ― Miami-based DJ, Music Producer,and Music Business Entrepreneur Christian “Tian” Jimenez has always enjoyed making music. From producing and mastering in his home studio to mixing on stage, Jimenez continues to develop his sound. The KRK ROKIT 8 G4 Studio Monitors and S10.4 Studio Subwoofer have both played a crucial part in helping Jimenez create his beats.

“I use my KRKs for production and mastering projects as an electronic music DJ and producer, and switching to the ROKIT 8 monitors paired with the S10.4 subwoofer has been spectacular,” says Jimenez. “The audio reference is extremely balanced between bass, mids, and highs. I consider audio quality to be very important in any scenario and having equipment with these capabilities makes you really work and appreciate the music.”

Jimenez finds that his KRKs allow for an overall better listening experience when in the studio. “Thanks to my KRKs, I have better control of the room and a better sonic experience,” explains Jimenez. “The speakers are super powerful, and I am very happy with them. I feel that my KRKs are very well-rounded, and my favorite spec of the speakers is the low end!”

While Jimenez enjoys a variety of the features his KRK ROKIT monitors have to offer, one of his favorite parts is the DSP-driven Graphic EQ. “Having a Graphic EQ in the back is a big plus for me,” says Jimenez. “It allows me to control the dynamics and modify the settings of the speakers for the room.” The 25 settings also help condition his acoustic environment and offer new levels of versatility within the studio monitors. This feature is great for when Jimenez wants a different EQ response between creating and mixing his music.

Hailing from El Paso, TX, and Ciudad Juarez, Mexico, Jimenez is a longtime vinyl enthusiast. He understands the impact that quality equipment in the music-making process can have on the final product. “I have always wanted to own a pair of KRKs and thanks to the KRK Miami team, now I do,” shares Jimenez.

In addition to his studio work, Jimenez’s selections and mixing abilities have given him the opportunity to play at a variety of notable venues in Miami. He made his first international debut at Soles Beach Club in Punta Cana, Dominican Republic. Looking ahead, Jimenez plans to continue to use his KRKs for future projects, specifically when recording and mixing.